A Quote by Dana Gould
A great way to be left alone on the subway is to appear to be deep in conversation with a small knife.
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I am holed up in a small village where I am doing my own work and it feels great. I have a small gallery and not many people find me, but I am happy being left alone and doing what I love.
The religious way is the deep way, the way that sees what physical eyes alone fail to see, the intangibles of the heart of every phenomenon. The religious way is the way that touches universal relationships; that goes high, wide and deep, that expands the feelings of kinship.
I mean, being provincial is a privilege in a way. Also people in New York think everybody interacts because they all take the subway. "Oh, I see all these different people! All these different walks of life on the subway." Well, they're not coming to your dinner party. Certainly, in small-town Nebraska, everyone indeed did mix together.
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.
Great eagles fly alone; great lions hunt alone; great souls walk alone-alone with God. Such loneliness is hard to endure, and impossible to enjoy unless God accompanied. Prophets are lone men; they walk alone, pray alone and God makes them alone.
I take the subway four times a day, or close to it. I just love the subway! My grandfather worked as an electrician when they were digging the subway.
Kids today and for the last 20 years have held the fork and knife in unbelievable ways. They hold the fork with a fist and the knife like a saw and they shovel it in. It doesn't matter to them which way they hold their knife and fork. They eat every which way. I'm amazed they get food into their mouths at all.
Deep down, Erikson wants profoundly to be respected and admired - and very deep down he wants to be left alone.
All the common people want is to be left alone. All the ordinary soldier wants is to collect his pay and not get killed. That's why the great forces of history can be manipulated by astonishingly small groups of determined people.
I did a small, small thing in Quiz Show, where I was really just a glorified extra. But, you know, New York actor, few days on a film set: Great! I was probably making subway fare on the play that I was doing at the time. I always think of The Underneath as the first film that I ever did.
But if you do not find an intelligent companion, a wise and well-behaved person going the same way as yourself, then go on your way alone, like a king abandoning a conquered kingdom, or like a great elephant in the deep forest.
I think sometimes in the focus on deep friendships and on romantic relationships, we can lose sight of how important the small connections we make are with strangers and with people that we may encounter for just a few seconds or a few minutes, whether it's the barista at our coffee shop or the stranger next to us on the subway.
On the subway today, a man came up to me to start a conversation. He made small talk, a lonely man talking about the weather and other things. I tried to be pleasant and accommodating, but my head began to hurt from his banality. I almost didn't notice it had happened, but I suddenly threw up all over him. He was not pleased, and I couldn't stop laughing.
We only acknowledge small faults in order to make it appear that we are free from great ones.
I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
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