A Quote by Dana Gould

The circus goes from town to town, so why run away to join it? It should be, I've decided to wait for the circus to come. — © Dana Gould
The circus goes from town to town, so why run away to join it? It should be, I've decided to wait for the circus to come.
When I was younger, I wanted to own a circus and create this bizarre revue that went from town to town. I suppose, in a way, I got my wish because when you're working on a film, you're in a traveling circus.
I've said it from the very beginning: Fighting the best guys in the world doesn't pay as good as the circus. I want to join the circus. I'm trying to get that circus money.
It's like running away to join the circus, everyone wants to do it when they're young but then you grow up and get a proper job. But somebody's got to do it or you wouldn't have the circus.
From 1840 to 1940, the circus was the biggest form of entertainment in the country. People were starting to have money, starting to have half a Saturday off. In an era before people went on vacations much, the big deal was when the circus came through town.
Why the hell shouldn't I run away with the circus?
When I was younger, I wanted to own a circus and create this bizarre revue that went from town to town. And, I was interested in set design and doing theater. And then, I was painting for a while. It was all circling around creating an intense experience for an audience of one, or an audience of many.
Word gets around when the circus comes to town, don't it?
You start in April and cross to the time of May One has you as it leaves, one as it comes Since the edges of these months are yours and defer To you, either of them suits your praises. The Circus continues and the theatre's lauded palm, Let this song, too, join the Circus spectacle.
You can get the monkey off your back, but the circus never leaves town
My father used to describe how he'd love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That's what it's like, every day, when you're making a film. It's the magic.
If I'd known how wrong I was - if I'd had any idea of the awful night that lay ahead - I'd have run after him and never returned to that disgusting circus of blood, that revolting circus of death.
Every time the circus comes to town, I can't help thinking, Somewhere out there, there's clown semen.
I write because I want more than one life; I insist on a wider selection. It’s greed, plain and simple. When my characters join the circus, I’m joining the circus. Although I’m happily married, I spent a great deal of time mentally living with incompatible husbands.
Just cause you got the monkey off your back doesn't mean the circus has left town.
It's a tough town, it's a loving town, it's a supportive town, and that's why so many great news people, journalists have come through Chicago or are from Chicago.
So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus?
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