A Quote by Dana Gould

A lot of people have a particular song that, no matter their mood, turns them on. With me, it's Eleanor Rigby. — © Dana Gould
A lot of people have a particular song that, no matter their mood, turns them on. With me, it's Eleanor Rigby.
In my fiction, there's a lot that's borrowed from music. It's never like I'm taking a lyric, but more the mood of a particular song. 'The Boy Detective Fails' was like listening to 'Eleanor Rigby' by The Beatles, this very melancholy-but-poppy song.
It made me start to wonder if there were other people so lonely so close. I thought about “Eleanor Rigby.” It’s true, where do they all come from? And where do they all belong?
I wanted to marry somebody who wasn't someone I had to be in any particular mood to want to be around - with close friends, you can be with them no matter what mood you're in.
I couldn't do 'Eleanor Rigby' because it was clashing with another project - something I was going to go do - something with Liv Ullmann.
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
All my earlier awards were for a particular film or a song. Even the Oscar or the Grammy was for a particular song, but Dadasaheb Phalke is for my entire work so it is the biggest honor for me.
I think I initially started inventing characters in my songs because I didn't want to write directly about myself. Also, as a kid, I loved all the character names in Beatles songs, like Eleanor Rigby and Lovely Rita and Mean Mr. Mustard and Maxwell and Rocky Raccoon.
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
I have a constant kind of soundtrack going on at all times. I almost always have a song in my head. I'm very musically inclined. It feeds my soul. It definitely helps me get into a mood or get out of a mood. Or inspires a mood. Honestly, it is one of my therapists - cheaper and always available.
There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
I got my wife a mood ring. It works real good! When shes in a good mood it turns blue, but when shes in a bad mood theres a red mark across my forehead
My favorite song on the album is 'Paper Doll' because I think it's a message that a lot of people need to hear, and it's about something that a lot of people struggle with. But I don't victimize myself in the song and I don't allow the person who's trying to intimidate me get to me.
My hope is that no matter your mood there is [on a Joyride albom] a song on there that speaks to you.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
When I was acting for the first time in 'Squid Game,' I listened to a lot of music. I listened to a lot of music by Sanulrim, Yoo Jae-Ha and Kwang-seok. In particular, I listened to the song 'Reminiscence' by Sanulrim a bunch. Listening to that song assisted me emotionally.
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