A Quote by Dana Perino

I never thought I would write a memoir at age 40... but I did have this unique place in history. — © Dana Perino
I never thought I would write a memoir at age 40... but I did have this unique place in history.
I would have never thought to write a memoir, but I'm glad I did it.
I wanted to be a novelist from a very early age - 11 or 12 - but I don't think I ever thought I would write historical fiction. I never thought I might write academic history because I simply wasn't good enough!
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
I thought, frankly, that it would be more pleasant to write a memoir than it was.
Christ is the most unique person of history. No man can write a history of the human race without giving first and foremost place to the penniless Teacher of Nazareth.
I would never write a memoir, because it would be too boring.
I thought I would break the scoring record when I got to 40 goals by the age of 27 or 28, but then Fabio Capello took over and he never picked me again.
I did the first proofreading of 'A Brief History of Time,' and when it came to writing my memoir, I consulted many scientific friends so that, contrary to what many critics supposed and were churlish enough to voice, I did actually write the scientific sections myself.
What I wanted was to write a memoir that was immersive rather than reflective, to resurrect a long-gone version of my own consciousness. I kept expecting that sooner or later the effort would come to seem like second nature to me, but it never did.
I've heard life starts at 40. I wouldn't know until I get there... I suspect 40 would just be another number. I have never allowed myself to stop and consider my age. I've always been on the move.
I thought that if I were going into old age I would want to do what [Giuseppe] Verdi did, which is to write extraordinary things, and to really find myself.
I never thought that I would write orchestra music, but in fact I did write a group of orchestra pieces.
With "Margaret," I remember clearly it was, you know because I did remember it clearly. I was young. I was young in terms of experience and what did I know about and I had an incredible memory from my own childhood. And so it never occurred to me to write for any other age group. And I thought I'm going to write a book and I'm going to tell the truth.
I didn't write the memoir with any sort of intention of feeling better. I wrote the memoir because I had a weird need to write a good story. But once I was done, I did feel better about myself. Not better, just calmer. Because a tremendous onus had been lifted off my day-to-day.
I never thought I would write about Chicago, and I definitely never thought I would write a drama.
A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.
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