A Quote by Dana Plato

I wanted this to have as wide an audience as possible. I didn't want to get an X rating, because in my opinion once that happens you X-out everyone else. — © Dana Plato
I wanted this to have as wide an audience as possible. I didn't want to get an X rating, because in my opinion once that happens you X-out everyone else.
Everyone has an opinion. That's just a crazy part of this world now. You can type things on the internet. You can have no credentials in any area and just get on your smart phone and write whatever you want. I know where I come from and where I want to go. I know I'm 100% ready. Everyone else seems to have an opinion, and claim to know, whether I am or I'm not. I would love to see all the people who run their mouths try and do what I do. Because they can't.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
Can't Hardly Wait was a movie everyone wanted. I wanted the lead girl sooo badly, I think it was Lauren Ambrose. I wanted it so badly, I kept auditioning. I didn't get it, but I think everyone that auditioned - because everyone went out for it - got some screen time in it, like me.
TV isn't a wide medium when it comes to boldness on the small screen because of the audience. It reaches out to the audience but keeping the traditions intact.
Once you get offstage you're just like everyone else, and everyone else can get into a fight.
Many young people now end a discussion with the supposedly definitive and unanswerable statement that such is their opinion, and their opinion is just as valid as anyone else's. The fact is that our opinion on an infinitely large number of questions is not worth having, because everyone is infinitely ignorant.
The essential problems remain the same... The kids I write about are asking for the same things I wanted. They want two contradictory things. They want to be the same as everyone else, and they want to be different from everyone else. They want acceptance for both.
Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
We want stuff done right. As long as it's my team, I'll voice my opinion. Yep, it's my team. You media guys might give it to him, like you've given him everything else his whole lifetime, but this is the Diesel's ship. And if we're not right, I'm going to go out there and try to get it right... Just ask Karl and Garywhy they wanted to come here. It was because of one person, not two. One.
One of the things that happens to everyone who is grief-stricken, who has lost someone, is there comes a time when everyone else just wants you to get over it, but of course you don't get over it. You get stronger; you try and live on; you endure; you change; but you don't get over it. You carry it with you.
I had no ambition to go into show business when I was growing up. I started out as an advertising copywriter and evolved into it. Once you get into it, however, it's very difficult to get out. It gets into your blood. You don't want to do anything else. You want that excitement.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
I want to speak in the tradition of rhythm and blues and soul music, but also push how it's dressed and how it's delivered to the audience. And hopefully that gets embraced by as many people as possible, but the goal isn't necessarily to speak to everyone. The goal is to get it out as exact as it is in my head.
Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.
At 15, I was playing with the C team at Reims and I wanted to leave. It's a difficult age for a kid - I wanted to go out with my mates, party... girls... that happens to everyone. Luckily, my mum told me: 'You don't know what you want, it's football - it's your dream and it could be a great job.' She was right.
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