A Quote by Dana Reeve
The public knows me through my life, which is not comical. But I feel very at home in comedy.
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The theater is often seen as comical in the movies; to me, it's not comical - it's my life. I don't mean that it can't be comical, but it's not only comical.
I was the sibling that kind of kept it all on a level when life at home got tough. I did it through comedy, sarcasm and distraction. All families are complicated, but my home life was glaringly uncomfortable much of the time, and it was me that took the onus.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
I feel a disparity between my life in India within the home and my life outside the home - my life within public and private space. In terms of here and there, there were some differences, but New York and India were very different when I was growing up in the '80s. Definitely in terms of the visual and popular culture I encountered within my home - that was very different from the complete lack of representation I saw of South Asian culture outside of that space.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
I feel as if I'm going through a mid-life crisis. I don't feel very attractive and it's like I'm frigid or something. I'm aging and it makes me very sad.
Whether I'm running on the beach without my shirt or whether I'm going out with my kids or going to church or going out to dinner - I don't choose to insulate myself in engaging in real life. Hence, the public kind of almost knows me as much through my real life that they see through the rag mags.
Home to me is the world because my books have been translated into more than 30 languages. People feel they know me and the minute they talk about my life or books I feel at home. Home is where you are appreciated, safe and protected, creative, and where you are loved – not where you are put in prison.
I always felt, and I still feel, that the media doesn't belong in a public official's private life. It's a very difficult balance, because if you are elected to public office, people have a right to know a great deal about you, and the press has an absolute obligation to report all of that. But the reality is that there are times in which the reporting is really happening for almost voyeuristic reasons, in the gossip columns. Maybe half of it is wrong, and half of it is correct, and a lot of it is exaggerated. You've just got to get used to that if you're in public life.
There are many issues, as everyone knows, in the United States on which public opinion leans very much to the left of elite policy, but that's because public opinion hasn't been turned into a political force.
For the writers I have worked with and for me, the relationship between the personal comedy of daily life and the economic context in which that life happens has always been very significant.
I'm not a very serious person. You know how they say that clowns are very funny in public and are really sad at home? I'm really kind of stupid at home and more serious in public.
Home is not fixed - the feeling of home changes as you change. There are places that used to feel like home that don't feel like home anymore. Like, I would go back to Rome to see my parents, and I would feel at home then. But if my parents were not in Rome, which is my city where I was born, I would not feel at home. It's connected to people. It's connected to a person I love.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
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