A Quote by Dana Spiotta
Usually there is a paradox in what a character wants. A conflict is built deeply within them. And then you put them in motion, throw everything at them until they reveal themselves further.
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As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on the last page. Believe me, they'll thank you for it.
No matter what happens, it will, then, always remain secret: only I know exactly the weight and force of the covenants I have made -- I and the Lord with whom I have made them -- unless I choose to reveal them. If I do not, then they are secret and sacred no matter what others may say or do. Anyone who would reveal these things has not understood them, and therefore that person has not given them away. You cannot reveal what you do not know!
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I purposely don't put my family on there, I don't put my kids on there. Because I think these days everybody wants to share everything - and then they get upset when people judge all their stuff. So, I figure let them judge things that you're okay with them judging.
It is true that social media, nowadays, is important, but I don't understand everyone needing to know everything about an artist or an actor because it loses the intrigue and mystery. And then, when you're watching them as a character, you can't watching them as a character. You can only watch them as the public figure that they have presented themselves to be. I hate when people say, "Well, that's what you signed up for. That's how it is." No its not. That's not what you signed up for.
And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves - not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
We all know well that we can do things for others and in the process crush them, making them feel that they are incapable of doing things by themselves. To love someone is to reveal to them their capacities for life, the light that is shining in them.
How then shall they have the play-games you allow them, if none must be bought for them?" I answer, they should make them themselves, or at least endeavour it, and set themselves about it. ...And if you help them where they are at a stand, it will more endear you to them than any chargeable toys that you shall buy for them.
We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
I am a complete sentimentalist when it comes to clothes. I have so many memories attached to them that I can't throw them out - I don't know where to put everything.
It's the big question of every TV show, right, where you have these two people who it's clear the world wants to put them together and everyone wants to see them together, but also when you're telling these stories you can't throw these people together immediately.
I think me, as a leader, as a guy that's been cut, been humiliated, embarrassed, whatever you put on it, I think it's important just to embrace the guys around you, really support them, encourage them and then kinda give them that confidence. Let them know that you believe in them, and hopefully they'll get to believing in themselves.
We buy things. We wear them or put them on our walls, or sit on them, but anyone who wants to can take them away from us. Or break them.
...
Long after he's dead, someone else will own those stupid little boxes, and then someone after him, just as someone owned them before he did. But no one ever thinks of that: objects survive us and go on living. It's stupid to believe we own them. And it's sinful for them to be so important.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
I feel like within each of us is a million different people that we could reveal and that we can be sometimes... And for me, the process of acting isn't so much about finding the person outside of myself and mimicking them but, rather, releasing parts of myself and adding them to the character.
If you look into the way that materials are used in an ecological system you'll notice that you'll find that there is no waste. The waste of one organism becomes food for another and everything's recycled in an ecological system whereas in our human built environment there's a throughput system. We use something then we throw it away... We have to imitate nature and try to re-use everything we make as human beings or recycle them - when we cannot re-use or recycle them we should try to reintegrate them back into the natural environment.
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