A Quote by Dana Spiotta

Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful. — © Dana Spiotta
Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful.
It was stressful [to live as a child in a Sylvian Hills]. It's always been complicated, honestly... I do not really want to tell you, actually. It bothers me that you want me to tell this.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
I'm not that complicated. My complications come out in my songs. All you need to do to be my friend is like me.
Never again will I make the simple into the complex. Something of true value does not become more valuable because it becomes complicated. Experience and conditions come and go; complications arise and fall away, but the simple action of God is eternal in the universe.
We can begin to let go of the complications that cause us to suffer by cultivating a simple state of awareness. In this process, tiny steps yield big results, in part because simplicity is nature's default position. Suffering and the complications that fuel it are unnatural; it wastes energy to maintain complexity.
Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.
I'm a civilized person who obeys the law and is pretty easy to get along with, but I'm more complicated than that. I use my work as a way to get all that other stuff out and experiment with feelings and ideas, and the forbidden. That's just part of my process, I think, to identify something forbidden. That's what lures me into wanting to do the work, write the story down.
Don't tell me to leave-you leave. If Obama, if Clinton, if Mittens Romney, if Rick Santorum, if Neutered Gingrich, if Herman '999 666' Cain, if Michelle Bachmann, if Sarah Palin, if Harry Reid-if any of these people want to tell me to leave because I don't believe their BS, come over and we can talk. You want to go man-to-man with me? We could go at it. Don't send one of your flunkies.
It is forbidden to go east, but I have gone, forbidden to go on the great river, but I am there. Open your hearts, you spirits, and hear my song.
But violence is news, to a certain extent, and people don't want complicated news. Because as soon as you realize things are complicated, your life becomes more complicated.
How do I define success? Let me tell you, money's pretty nice. But having a lot of money does not automatically make you a successful person. What you want is money and meaning. You want your work to be meaningful, because meaning is what brings the real richness to your life.
We must care to think about the unthinkable things, because when things become unthinkable, thinking stops and action becomes mindless.
I'm interested in acting roles that I want to do, that are meaningful to me in some way. I think, because my kids are still pretty young, if something is meaningful and it's a good little part that I could do or feel that I can have fun with, then I'm interested in it. I'd like to be able to do a TV show or something and really have a voice in it.
To me, there's a difference between going to a concert and getting a recording. It's almost like a different release. The physical album itself is the more meaningful one for me, but I don't want to tell people how to listen to music.
'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.
Because you’re the one. Because I’ve never felt for anyone what I feel for you. I want a lifetime with you, Abigail. I want a home with you, family with you. I want to make children with you, raise them with you. If you truly don’t want any of that with me, I’ll give you the best I’ve got, and hope you change your mind. I just need you to tell me you don’t want it.
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