A Quote by Dana Tai Soon Burgess
As a child I always loved traditional Korean masked dances. There is something magical about a mask because we all wear or hide behind a metaphoric mask, and ultimately underneath this metaphor is our true vulnerable core. I think we all want to reveal ourselves but can only do so when we feel we are safe.
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I'm happy that now we reveal something about the true Israel, because, you know, now it's Purim, when all the Jews putting mask. And once, we used to have a liberal mask. The most famous mask now in Israel is the mask of a soldier who murdered in cold blood a wounded prisoner of war. Those are the mask that most of the Israeli kids now are using. So, now, when the mask and the true is the same, maybe it's time for Democrats here to stop supporting Israel, if they care about Jews.
I've always used masks. I think it's a lot about the fact that masks often reveal a sort of subconscious element to a character. The mask is carved and given an expression or markings to reveal something, even though it's shielding the face. Even though it's hiding the face, it seems to reveal something underneath.
Even when I was a young kid, I always told my uncle that, when I became a wrestler, I wanted to be Rey Mysterio, Jr. and I wanted to wear the mask. I always pictured myself wearing a mask. I dreamed about it for so long. I wanted to be one of those luchadores who wore the mask, the cape, and the fancy outfits.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!
We never really are the adults we pretend to be. We wear the mask and perhaps the clothes and posture of grown-ups, but inside ourskin we are never as wise or as sure or as strong as we want to convince ourselves and others we are. We may fool all the rest of the people all of the time, but we never fool our parents. They can see behind the mask of adulthood. To her mommy and daddy, the empress never has on any clothes--and knows it.
Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.
I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody.
Because I'm pretty, everybody thinks I'm stupid. But it is like a mask, and you have to break the mask to show that there is something else behind it. You have to show who you are to make the others come to discover you.
No one can long hide behind a mask; the pretense soon lapses into the true character.
When I write, my goal is to delve deeply enough into the human experience to find a sort of universality. Once you dig down underneath surface differences, we are all human beings. And all human beings want essentially the same things at our core. We want to love and be loved. We want to be safe. We want our loved ones to be safe.
Dignity is a mask we wear to hide our ignorance.
Being a shy child, I always longed for a mask. Even in my adult life, I have glasses, they are my mask.
To deny ones' true nature and the gifts given you by the gods is to tempt disaster. You cannot hide behind the mask forever.
Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.
It is true that these mysteries are dreadful, and people have always drawn away from them. But where can we find anything sweet and glorious that would never wear this mask, the mask of the dreadful? Whoever does not, sometimes or other, give his full consent, his full and joyous consent to the dreadfulness of life, can never take possession of the unutterable abundance and power of our existence; can only walk on its edge, and one day, when the judgment is given, will have been neither alive nor dead.
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