A Quote by Dana Tai Soon Burgess
I think one of the biggest limitations for an artist is not being able to dream a golden dream. We're always saying, "Oh, we can make do with this," or "We can problem-solve this." But John Neumeier's creative process was very different from piecemealing. It was the first time I understood I could build something larger and that it could be and should be supported.
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One should share their dreams with others right away in the morning. One can use my Lightning Dreamwork process. First, the person shares the dream without being interrupted. Then each person shares their thoughts about the dream by saying, "If it were my dream," not presuming to tell the person what the dream means in an objective way. Lastly, the dreamer is helped to make an action plan for embodying the energy and guidance from the dream.
Music is able to make a person dream. When you dream, you dream of something good, something beautiful, and when you dream, you always dream of yourself better than you are.
I feel like what we love to do is solve problems. If it's easy to solve, we find a more difficult one. There's always a way. In our world, we can build stuff. We can build more sets than you could ever build in live-action. We can build more props just for custom angles or perspectives. We'll build special trees for that, paint a sky. There's really no limitations, except that you run out of time and money at some point.
I know how sad it is when you won't be able to realize your dream.
But do you know what's great about dreams?
You can always have a different dream. Just like the way
you dream every night in your sleep, you can just dream another dream.
You're not throwing your dream away, but having a different dream.
As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
If I don't think about anything and just sing sincerely, it could be the best, but at the same time of singing sincerely, I must also add my own thinking and measure in, to be able to maintain and sing this way is my dream, and it is also the biggest problem.
The world could be anything, you know, It could be a solid state matrix of some sort. It could be an illusion. It could be a dream. I mean it really could be a dream.
So for me having that element of being able to be competitive wasn't a problem. I'm very competitive. I thought if I could skate first, acting would come second. I could say my lines and then go do what I was saying. You don't have to fake it, you're not really acting.
I think there are dozens or hundreds of different forms of creativity. Pondering science and math problems for years is different from improvising jazz. Something which seems to me remarkable is how unconscious the creative process is. You encounter a problem, but can't solve it.
I feel like a very lucky person. From the time I was young, I had a dream of becoming a writer. Now that dream has come true, and I am able to make my living doing something I really love.
There is no need of a way out! Don't you see that a way out is also part of the dream All you have to do is see the dream as dream. ...Wherever it leads you, it will be a dream. The very idea of going beyond the dream is illusory. Why go anywhere Just realize that you are dreaming a dream you call the world and stop looking for ways out. The dream is not your problem. Your problem is that you like one part of your dream and not another. Love all, or none of it, and stop complaining. When you have seen the dream as a dream, you have done all that needs be done.
Wait," I say. "I think you're mistaken. Saying there is no dream is the same as saying everything is a dream. Isn't it? Everyone's a dreamer? Extraordinary things happen all the time even when we're awake. What I meant to suggest to you, if indeed that was me in your dream doing the suggesting, is that there is only one world. This one. The dream is real. The ordinary is the wonderful. The wonderful is the ordinary.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored... I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
It's just incredible. When you're French, coming from a non-English language country, you don't even dream about Oscar recognition or nominations. It's just beyond the dream. It's something very, very special and unique. It's the highest recognition any filmmaker could dream of.
It's just incredible. When you're French, coming from a non-English language country, you don't even dream about Oscar recognition or nominations. It's just beyond the dream. It's something very, very special and unique. It's the highest recognition any filmmaker could dream of
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