A Quote by Dana White

Whatever it is that you're passionate about... try to figure out a way to make money at it and give it a shot. — © Dana White
Whatever it is that you're passionate about... try to figure out a way to make money at it and give it a shot.
Whatever it is that you're passionate about, whatever it is that you absolutely love, and whatever it is that you would get up out of bed every day and do for free, you should try to figure out a way to make money at it and give it a shot.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
You have no idea what you're passionate about until you give it a shot. If I hadn't been given a guitar or a camera or whatever, I'd be doing something different.
I try not to think too hard about music. I like to see where it goes. I try not to give it a direction. I figure out what it is as it's forming. I don't have any goal in mind other than to make the best music I can.
Figure out what you're passionate about. If you're not passionate about something, go find it. Because we do not need more unengaged boring people to inhabit this planet.
The Trump people make it extremely hard to figure out what's going on with their businesses, so we've done things like try to figure out all the people, the charities who rented out ballrooms and hotel rooms, all the NBA teams that stay at his hotels, people that pay him a lot of money and have other choices.
The biggest mistake we make is trying to square the way we feel about something today with the way we felt about it yesterday. You shouldn’t even bother doing it. You should just figure out the way you feel today and if it happens to comply with what you thought before, fine. If it contradicts it, whatever. Life goes on.
If you're passionate enough you can restore anything but it depends whether you're doing it to try and make money or just because you're crazy about it.
On becoming a mother, I sort of feel like every kid is my kid. I really do get that sense in a much more profound way that we all are a global community and we all have to band to try and give the children of our this generation whatever tools we can to go out into this world and try and make it a better place.
I was passionate about 'Strictly.' I was passionate about it in every way, but the one thing that I always felt I did was give good advice as to how the contestants could improve.
Do something you like that you feel is important. Don't worry about making money at it right away. If you try hard and long enough you will figure out a way to do it. Better to die happy than die rich.
Some interviewers aren't even interested. They're just doing it because they gotta do it. Life is nothing without passion. Whatever you're doing, at least be passionate about it because I'm passionate about what I'm doing. I'm passionate about the words I'm saying right now. Just be passionate. When the interviews is passionate, it's more conversational and we're not covering the same ground.
You try to figure out the best way to throw the shot put, or the perfect way to long jump, and you don't ever get it. You just chip away, chip away, chip away as time goes on.
Not to sound cliché or anything, but with the downtime that I have and the possible platform that my work could give me, I'd like to figure out a way to give back and make a difference, you know?
In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.
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