A Quote by Danae Elon
I feel that we should try and understand how we as women storytellers have often fallen into the mode of telling stories in the ways in which traditionally men would. I often find that my points of view are expressed by male characters.
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Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.
I try to speak my points of view about black America, and how I feel about black men and the role that black men should play in their lives with their children and in their lives with their women.
There's a fundamental difference between how often men remember to say 'I love you' and how often women want to hear 'I love you.' For the most part, it's on the guy. He's not withholding it intentionally. It's just that we kind of miss the point sometimes, that even in the most nonchalant way, telling the person how you feel is important.
I remain committed to telling the stories of women of the African diaspora, particularly those stories that don't often find their way into the mainstream media.
It's called male bonding. You'll never get it. I believe women are as capable as men, deserve equal pay—and that one day, should be sooner than later, in my opinion, the right woman can and should be leader of the free world. But you can't understand the male bonding rituals any more than men can understand why the vast majority of women are obsessed with shoes and other footwear.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
Thrillers have been traditionally very masculine books; the women characters often rather decorative.
Women have traditionally deferred to the judgment of men although often while intimating a sensibility of their own which is at variance with that judgment.
Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.
"Chess has definitely helped me understand a lot of the strategy of football. In chess, good offense is often an exercise in putting multiple points of pressure on one square. In football, offensive play design (particularly passes) involves putting multiple points of pressure on one player." "In chess, you often give your opponent a move that looks strong for him, but it turns into a trap. Football is the same way. I've always thought of defense in football as being totally reactive. But now I understand the ways in which football defenses force the offense to make certain choices."
The film industry is driven by male narrative. Heads of studios are often men, teeming with male executives everywhere you look, and so the narratives we have the screenwriters usually for male leads. Women tend to be second string: the girlfriend of, the secretary who becomes.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
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