A Quote by Danai Gurira

I create fictional narratives, but it's based on literal people. — © Danai Gurira
I create fictional narratives, but it's based on literal people.
The media doesn't create narratives, really. They're not that powerful. What they do is they tap into narratives that are already bubbling amongst their viewership or readership.
There's a problem with narratives. Most that spring to mind are fictional.
I think we have become oversaturated with tired fictional narratives.
Whenever you find a preacher who takes the Bible allegorically and figuratively...that preacher is preaching an allegorical gospel which is no gospel. I thank God for a literal Christ, for a literal salvation. There is literal sorrow, literal death, literal Hell, and, thank God, there is a literal Heaven.
The fictional narratives that television, film, and the news provide for girls and young women are appalling.
With fiction, you are creating an imaginary world. And it can be a very mechanical process. In a fictional film, you create the characters who become "real people" when facing the camera. When you stop shooting, they change their costumes and become someone else. And people tend to believe in documentary more than fiction. Even if the fiction is based on a true story, everybody will say, "Oh, they're only actors."
People have become so literal because they're used to reality-based television.
There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.
Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.
It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.
In "Twilight," the narratives are more literal, and the event is much more spectacular. The pictures in "Beneath the Roses" are much more psychological and grounded in reality.
Perhaps every writer who thoroughly creates a fictional world will inevitably create a mirror of his own time and yet also create a world that no one else but him has ever visited.
Narratives are not fixed. We change our narratives for ourselves and we change them not necessarily deliberately. In other words, some people do, some people will constantly reconstruct their biography for external purposes, it's a very interesting political ploy.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.
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