A Quote by Danai Gurira

I got an M.F.A. in acting from NYU, and part of our training is to learn how to use swords in combat situations in a performance and Shakespeare plays where you have to fight.
I always did plays, and when I went to NYU - and I didn't go to Tisch, the theater school, because I was like, 'Well, acting's not realistic. You can't make a career out of it.' So I just studied general studies and humanities at NYU, but I was doing plays while I was there. So I was sort of cheating.
You little fool. Tears are not a woman's only weapon. You've got another one between your legs, and you'd best learn to use it. You'll find men use their swords freely enough. Both kinds of swords.
I never got into training to be an All-Ireland boxing champ or to win a belt. At the start, I just got into it to learn how to defend myself when I got into situations.
I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics. The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
One of the reasons I got into this game was because I wanted to learn how to get myself comfortable in uncomfortable situations. I grew up in a tough area of Dublin, and fighting was just part of your life. Boys fight, and I won some, but I lost a lot too, and I didn't like that, I didn't like that feeling of not knowing whether I was in danger, in trouble.
Even if you aren't a believer, there are incredible stories in the 'good book' that I guarantee you will keep you glued to the page. The Bible is no less a part of our cultural heritage than Shakespeare is - and by the way, Shakespeare's plays are absolutely loaded with Biblical references.
I went to drama school at NYU for serious acting. So I was doing Chekov and Sam Shepard plays.
Technology is such a big part of our lives. It makes everything easier. It doesn't make sense to fight against it. We need to set limits and learn how to use it so that we can go to places that we have never been to before.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
I've done maybe twelve of Shakespeare's plays. I was with the Royal Shakespeare Company for years. Whatever influence that has never leaves you. If you learn to drive a car, and you learn the right way if there is ever a right way. You learn the good aspects, you learn to drive properly. And that never leaves you.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
The spiritual combat in which we kill our passions to put on the new man is the most difficult struggle of all. We must never weary of this combat, but fight the holy fight fervently and perseveringly.
When I was a kid, I thought I was going to be an actor. I actually studied acting when I was at NYU, and I made a lot of television commercials - that's actually how I put myself through NYU and through college.
I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
I went to college at NYU for acting, since acting was my dream from very young. I did a lot of hip-hop courses while I was there. I helped co-write a hip-hop production for the main stage of NYU, but I never touched rap.
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