A Quote by Dane Cook

I could take my time, and nobody was pressuring me to be a headliner. I could go up there, find my voice, and figure out what I wanted to do. — © Dane Cook
I could take my time, and nobody was pressuring me to be a headliner. I could go up there, find my voice, and figure out what I wanted to do.
I mean, if I went into my closet, I could find a previous draft and try to figure that out, but it takes a long time for me to find the voice to tell a story in. I was working from other points of view for a couple years there.
I remember someone once saying, "Pete, you know you really should take voice lessons." And I said, "Well, if I could find any voice teacher that could teach me to sing like Lead Belly I'd spend every cent to study under him." But every time you'd go to a voice teacher, he'd teach you to warble, as if you'd want to be an opera singer, and that's not what I'm interested in.
I don't know what I could say specifically, except that everything I've learned as a kid of course must somehow play into what I do now. I think when everything kind of drifted away, I had to go out into the world and learn how to emotionally be okay with all that, which to me was a decades-long process. But also I happened to find my way in life, to find a living, to figure out what I wanted to be when I grow up. I think all of that now probably helps me. It probably gives me more life experience to draw from.
You could say that too much time has passed for us to take up new styles so it's entirely up to us to improve. I personally wanted to produce a voice that's different from when I did "V.V.I.P" so I put a lot of effort into finding my voice.
I was skating with friends in my neighborhood, and then eventually I was invited to go to the skate park with one of them. When I saw people flying all around - literally flying in and out of bowls - that is when I knew I wanted to do it. I wanted to figure out how I could get there and how I could fly.
It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.
What scares me the most is that both the poker bot and Dropbox started out as distractions. That little voice in my head was telling me where to go, and the whole time I was telling it to shut up so I could get back to work. Sometimes that little voice knows best.
In football, there were drinks available everywhere you looked. On a golf tournament, you could find one free anywhere you wanted it. In tennis and NBA basketball, everybody had a hospitality suite, and so you could go there and load up if you wanted to.
There's so many ways to be a voice and that's what I'm figuring out. Being an artist, being an actor, it's about telling stories that could heal, that could open up discussion that could make the community better. There are many (Latino) stories that need to be told and haven't been told right. If I could help be that voice then that's what I'm going to do, because this is a reality for me.
[P]olitical and social and scientific values ... should be correlated in some relation of movement that could be expressed in mathematics, nor did one care in the least that all the world said it could not be done, or that one knew not enough mathematics even to figure a formula beyond the schoolboy s=(1/2)gt2. If Kepler and Newton could take liberties with the sun and moon, an obscure person ... could take liberties with Congress, and venture to multiply its attraction into the square of its time. He had only to find a value, even infinitesimal, for its attraction.
I think, in the middle of the '90s, I made a couple of records where I tried to figure out what I thought the radio wanted from me. They weren't my best records by any stretch of the imagination. It didn't take me too long to figure out, 'Whoa, back up, dude. Just go back to following your heart, and it will all be OK.'
I just wanted to do my own albums where nobody could tell me what to do. Roc Nation was the perfect fit because I could do what I wanted to do.
I wanted to get that scholarship to - a division one scholarship and play ball and go to school for free. And that, to me, was - I was always about getting to that next step. If I could get to that next place, then I could figure out essentially what to do with being in that space and how to manage my time and handle those - handle all the benefits of being in that space in a way that would get me to the next place.
For a long time, I didn't know what I wanted to be when I grew up. I was desperate to find something that fit me and I just decided that if I could organically make a professional living out of the things that interested me, then I would be a happy person.
You can't pretend there has ever been anyone come close to doing what I did. Nobody you could name could touch me, and I'm talking about nobody who's around now, nobody who was around in my prime, and nobody who was around any time you can mention outta your mouth.
I didn't like how my NBA career ended because I wanted to go out on my own terms. But nobody tried to believe in me, that I could go back and play. I can still play at 39.
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