A Quote by Dane Cook

On stage I am the actor, director and the bouncer all at the same time. Fear does not exist in this dojo does it? No Sensi! Sorry when I get excited I have to toss in some Karate Kid quotes.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
Gangs have evolved. The stereotypical gang member covered in tattoos and wearing colors does not really exist any more. There's this fear that it could be any kid, but by any kid, that means any Latino kid.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
Love is ruthless; it doesn't feel sorry for anyone, but it does have compassion. Fear is full of pity; it feels sorry for everyone.
I have never been able to grasp the meaning of time. I don't believe it exists. I've felt this again and again, when alone and out in nature. On such occasions, time does not exist. Nor does the future exist.
The actor's physical type is the main consideration. It isn't and shouldn't be. Does the actor "look the part"? It is the simplest question to deal with. The director deludes himself who yields to the temptation to believe that an affirmative answer settles the matter. An actor's looks will impress an audience initially but after his first five minutes on stage it becomes aware of what he or she communicates (or fails to communicate) through acting!
I've been writing so much. And what happens with TV is that they split [Taboo] into two blocks, so you get a director that does four and another director that does another four. You commit yourself to seven days a week, for 12 or 13 hour days for a long time. I couldn't really do that.
Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
I am an actor. I am an artist. I am a daughter. I am a sister. I am a partner. I have a past that some people may not agree with, but it does not define who I am.
NBC had a show called 'The Toughest Bouncer in America' that I did. But I told them I didn't like that term, 'bouncer.' To me, it's offensive. A bouncer likes to get physical, likes to put his hands on people.
To be frank, I am confused. If an actress does a cameo dance sequence, it is often referred to as an item number, if an actor does the same, it is just a dance number!
I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
I have a little dojo in Clearwater called the Sai Dojo and I've just been putting in extra work there and so, when I get a chance to wrestle now, my comfort level in the ring is higher, my skills are sharper and I just felt like I couldn't have a better time to get these huge opportunities.
The whole thing with comedy is that you are always in control. Writer, director, actor, producer, and sometimes bouncer. And you are just a piece of their puzzle.
I get asked that a lot: "What do you think your role is, with all the people that look up to you?" I'm an entertainer, you know? I'm not trying to bombard anybody with anything, but at the same time, face-to-face or in real life, if I'm talking to some kid, I have opinions just like everybody else does.
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