A Quote by Dane Cook

You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.
I would get ill before going onstage - something about getting in front of people, and if they don't laugh, I'm a bomb. I got over it when somebody laughed.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
I love being onstage, whether it's dancing or acting - there's just something about being onstage.
Tiesto is legend. I've been in the studio many times. We did a tour together; I jumped onstage with him, he jumped onstage with me. Still, every time, I have to pinch myself and realize this is the guy who made me start doing what I'm doing right now.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
I've been known to wear pajamas onstage for the sole reason of wanting to make sure I'm free enough to execute new things vocally onstage and give my best performance possible.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
For me, music is so passionate, I have to give it my all every time I go onstage. Onstage, it was always comfortable for me, because that's where I felt at home.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
When people asked me, "Do you get high to go onstage?" I could never understand the question. I mean, I'd been high since eight that morning. Going onstage had nothing to do with it.
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