A Quote by Dane Cook
I'm completely ecstatic when a woman has own back story and brings something to the table and has a real strong kind of independence.
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There's an attitude that I have where I bring the art to the table and the writer brings the writing to the table, but neither of us brings the story to the table. The story is something that only happens with the combination of both of us.
Something you discover as a writer is that actresses who are successful are incredibly smart. For some reason, there's this myth that if you're a beautiful actress, you're not bright, you're a puppet. But it's completely the opposite. These are people with a finely tuned sense of story, and who are also strong and articulate. You have to be, to be a woman holding your own on TV and film sets.
Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature.
People who are upset about something ruminate on it whenever they get a chance; they are constantly drawn back to their own unhappy tale as if it were a horror story left open on a table.
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
International terrorists who pursue completely mad objectives such as establishing a world caliphate or something of the sort, are quite adept at disguising their real aims as a struggle for independence in Chechnya.
A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.
A major boom in real stock prices in the US after Black Tuesday brought them halfway back to 1929 levels by 1930. This was followed by a second crash, another boom from 1932 to 1937, and a third crash. Speculative bubbles do not end like a short story, novel, or play. There is no final denouement that brings all the strands of a narrative into an impressive final conclusion. In the real world, we never know when the story is over.
At the end of the day, New Yorkers need a mayor who understands the problems they face, brings a smart plan and good people to the table, and, more than anything, has the independence, courage and conviction to do the right thing.
You kind of gotta step back from your dreams and your passions once in a while, and kind of do something else for a minute so that you can come back to it with a fresh outlook, and be real inspired by something else, so you can give something back to your dreams and your passions.
I don't think I was anything short of ecstatic when I found out 'It's Kind of a Funny Story' would be premiering in Toronto.
It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.
Being the ideal of a strong woman means utilizing all the things that God gives you. People are always saying to me, 'You're a strong female, so why are you wearing a bikini on the cover of that magazine?' Being a strong woman is misconstrued to be something evil and ugly.
Even before I went to the UN, I often would want to say something in a meeting - only woman at the table - and I'd think, 'OK well, I don't think I'll say that. It may sound stupid.' And then some man says it, and everybody thinks it's completely brilliant, and you are so mad at yourself for not saying something.
There are some strong female performers out there. But the industry's pre-occupation with the packaging of how a woman looks has gone completely the other way, back to almost the 60s, early 70s.
If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.
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