A Quote by Dane DeHaan

Sometimes I'll get a bunch of my friends to pretend they're my fans and then I'll walk out on the street and I'll have them mob me just so I can prepare. — © Dane DeHaan
Sometimes I'll get a bunch of my friends to pretend they're my fans and then I'll walk out on the street and I'll have them mob me just so I can prepare.
A lot of weird things happen to me. People call out to me on the street and I figure I know them, and I walk over. And then they start to talk about a movie, and I get so embarrassed. Sometimes they think I'm Lorraine Bracco or Laura San Giacomo or Marisa Tomei. I'm sure it happens to them all the time, too.
Yeah, we definitely have screenings; we just don't have screenings out on the street. We bring in - it starts internally, so its people who work at Bad Robot, then it starts going to our friends outside of Bad Robot, and then it starts going to friends of friends outside so we get really fresh people who don't have to pretend to like us.
I don't like to risk my life, so I prepare sometimes for months or sometimes for years. But sometimes after a walk, I look what I have done, and I have a little bit of fear coming to me, just looking at pictures.
I have crazy friends, so a lot of times when we're out, people recognize me on the street, but they will yell, 'This is Cameron Boyce!' and just run! They do that. Then I'm in the middle of the street with people looking at me.
I don't want to brag, but I have an amazing fanbase. My entire career has just been supported by them. I did just sign a record deal, but the whole thing is really just run by them. It's all based on my relationship with my fans. I call them friends and fans, because I hang out with a lot of them.
But, people are recognizing me more. Sometimes fans just approach me on the street and say how much they love the show. It's great to get that kind of feedback.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
Sometimes the simplest and best use of our will is to drop it all and just walk out from under everything that is covering us, even if only for an hour or so—just walk out from under the webs we've spun, the tasks we've assumed, the problems we have to solve. They'll be there when we get back, and maybe some of them will fall apart without our worry to hold them up.
There was a guy with mental illness in the middle of the street just yelling and hollering. I have a number that I can call - it's not 911 - to tell them, "You need to help this man get out of the street." But you have to be that person, you have to pick up the phone, you have to do it; you can't just walk by and act like they're not people. They're somebody's kid, somebody's dad, somebody's brother.
I don't walk around the street thinking, 'I'm Michael Madsen,' but then again, I am that guy, and sometimes people do take notice of me. Sometimes it's really not comfortable.
I've come across people referring to themselves as 'Vine famous.' Some of them started out by putting up Vines just for fun, then all of a sudden they get a bunch of fans, and a week later their Vines are totally different. They become obsessed with how their videos will be perceived.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
Sometimes when you do a show or a campaign with a designer, you get along with them really well and you become friends. And then, sometimes, people are just a bit... weird.
I've been pulled out of my nice new car and laid out in the street by the police, interrogated and then have them get in the car and roll off leaving me lying in the street without even saying 'Get up.' The humiliation that they can put on a black man because they determine that you ain't got the money.
For me, if I was walking down the street and saw a politician, I'd cross the street and walk the other way intentionally, just to not have to talk to them.
When I did 'Jump Street', I created that character; it was all me. I walked in and was just me. I could get out of bed and walk on set and be dressed.
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