A Quote by Dane DeHaan

It's funny because I went to a predominantly white school, but for some reason they always picked the musicals that were supposed to be done by totally black casts. — © Dane DeHaan
It's funny because I went to a predominantly white school, but for some reason they always picked the musicals that were supposed to be done by totally black casts.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
I've been on predominantly 'white' shows before, and I had also been on predominantly 'black' shows. I would complain that when I was on a white show, they would only hire me because there was a black character or they needed a black voice. But then I would be mad if they went and hired a white dude in my position.
It was jarring to be berated for 'acting white' when I was placed in a predominantly black middle school in Southern California. I was also chubby, into boys who weren't into me, and tried too hard to fit into this 'blackness' I was supposed to be.
You always have some trans girl saying, 'Oh, they were just being funny! They aren't really transphobic,' Just like you will always have some black folks defending some white person for using the 'N' word because they are 'cool.'
Films with predominantly white casts can come in any form, tell any story, big or small. For black films, you have the light, fluffy rom-coms or 'Madea' movies, and then you have the black-torture awards movie.
We were from a predominantly white area, my dad was black and my mum was white, so that had its complications.
It was the Michael Jordan/Nike phenomenon that really let people see that athletes were OK, and black athletes were OK. Defying a previous wisdom - not only that black athletes wouldn't sell in white America, but that the NBA as a predominantly black sport could not sell in white America.
In some ways I consider myself more Chinese, because I live in San Francisco, which is becoming a predominantly Asian city. I avoid falling into the black-and-white dialectic in which most of America still seems trapped. I have always recognized that, as an American, I am in relationship with other parts of the world; that I have to measure myself against the Pacific, against Asia. Having to think of myself in relationship to that horizon has liberated me from the black-and-white checkerboard.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
I went to Catholic school my entire life. Elementary school was probably my worst time - those are the years when you're figurin' out who you are, and then you've got the added pressure of being on the light-skinned side of things. I've been around - excuse me saying - predominantly white people in Catholic school, who sit around and just talk about black people because they thought they were in the presence of themselves, and they used to talk cool. I felt firsthand the racial prejudice that is still alive today.
White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people - their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear.
So, I was in a segregated, all black, public elementary school until fourth grade, until my father died. And that's when my mother transferred me to a private, predominantly white school and I saw both sides of the world at a very young age.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
We had this terrible thing, this awful thing with 'Black and White' happened, where the design of 'Black and White' was actually... was hijacked by the fan sites. Because what happened is, there were so many fan sites on 'Black and White,' the hype on 'Black and White' was just ridiculously huge. It was completely out of our control.
I was from a town called Manhasset, very nice town out on the North Shore of Long Island, New York, but there was a little area, predominantly black population, and it was a small school. I played on the basketball team when I was a junior, and I was the only white guy on the starting five, the top seven actually, and we were really good.
This site uses cookies to ensure you get the best experience. More info...
Got it!