A Quote by Danger Mouse
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
I'm lazy. I don't practice enough. I do other stuff. I'm not a musician's musician, and I don't necessarily know if I want to be. When I hear something and want to work on it, then that's what my project will be.
The only way I hear gossip is if it's big enough and loud enough for my friends to bring it up to me. Or if it's, like, a big untrue ordeal from my publicist - and she hates making that phone call!
Having toured a lot really influences some of the decisions you make in the studio - is this part anthemic enough for people to want to sing to it at a show? is this part dynamic enough? Is this drum beat 'arena' enough? You think about it a lot when you are creating, for sure.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
One of the best compliments I ever got was "You know what I like about you? You're smart enough to be scared. So many guys come on cocky, they don't want to go over their stuff, they don't want to do a pre-interview. You're always smart enough to be worried till the last minute."
Work hard, earn a great living, get whatever you want out of life, have all the stuff you want. But there should be a ceiling on it-enough is enough!
I say that when you elect a president you want a man to manage the legitimate business of your government. The government that is big enough to give you everything you want is big enough to take it away.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
The financial side of Broadway is the easy part. Plenty of people want to put money in a Broadway show. The challenging part is finding the material that excites me enough to spend a couple of years of my life devoted to it.
Don’t make stuff because you want to make money - it will never make you enough money. And don’t make stuff because you want to get famous - because you will never feel famous enough. Make gifts for people - and work hard on making those gifts in the hope that those people will notice and like the gifts.
I believe with my sage and epigrammatic friend P. J. O'Rourke that a government big enough to give you everything you want is also big enough to take it all away.
We're trying to teach artists that if you're smart enough to develop the material, then you're smart enough to market and promote the album too.
I drop free music because I want people to know I'm still working. I want people to know I'm working and making my money independently. I don't want to charge for a mixtape; I'd rather charge for an album and really give something to my fans.
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