A Quote by Danger Mouse

I'm into song-writing; I'm into melodies that break your heart a little bit. That's the thing that got me into music; that's what I look for in music for the most part.
I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.
An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It's more important than anyone else could ever be. I don't want to be overly dramatic and say it's the only thing that gets me up and keeps me going. But people in your life come and go. As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I've always been able to rely on.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
I did psychology at university, but I wouldn't say that my music is too influenced by it. The way I make music is a little more to do with an emotional connection. When I compose the melodies for my tracks, it always comes from the heart.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
Every song has a memory; every song has the ability to make or break your heart, shut down the heart, and open the eyes. But I’m afraid if you look at a thing long enough; it loses all of its meaning
I don't listen to much music on the go because I tend either to be writing my own music or wanting a break from the music around me.
In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music.
I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.
I always did music, but music is an easier thing for me. Making videos and doing comedy things was more of a challenge, so I was more interested in that. Music is a little bit more automatic.
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
I wanna get into modeling a little bit, even acting. Just expanding myself as an artist because the music thing ain't forever, and I don't think that's all God got in store for me. He wants me to try new things. Hopefully this music is just an avenue for getting to those things.
If there is a possibility within a film to have a song in the music score that adds a little bit of zing to the music album, then why not utilise it?
I got a little bit lost in the writing process: like, that moment in the 'Fight Song' music video where I'm throwing the crumpled paper on the bed, that was really true life. I was filling journals with different possibilities of lyrics for the first verse. And none of them felt right.
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