A Quote by Dani Shapiro

Maggie Shipstead takes hold of the reader and doesn't let go. Astonish Me is a haunting, powerful novel. — © Dani Shapiro
Maggie Shipstead takes hold of the reader and doesn't let go. Astonish Me is a haunting, powerful novel.
As a former ballerina, I can't put down Maggie Shipstead's new book, Astonish Me.
Maggie Shipstead's prose is so graceful and muscular, so dazzling, so sure-handed and fearless, that at times I had to remind myself to breathe. Astonish Me is a treasure of small surprises.
Flawless . . . Tightly choreographed . . . Shipstead gains entry into exclusive worlds and trains her opera glasses on private social rituals, as well as behind-the-scenes hanky panky . . . Similar to classic ballet, the power of Astonish Me arises out of the pairing of a melodramatic storyline with scrupulously executed range of movement . . . Shipstead sweeps you into this insider world of sweat, narcissism, and short-lived magic . . . Transcendent.
For me, an ideal novel is a dialogue between writer and reader, both a collaborative experience and an intimate exchange of emotions and ideas. The reader just might be the most powerful tool in a writer's arsenal.
A novel is not a play. A novel takes one reader at a time into its confidence. It can be shockingly personal. Private, even.
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
I absolutely fell in love with David Cristofanos writing. THE GIRL SHE USED TO BE is that rare novel--its the one youve been looking for when you wander the bookstore aisles, hoping to find something that will grab hold of you and not let go. Eloquent, haunting, and totally enthralling, I was swept in from page one.
I'm an avid reader myself, and what any one reader accesses at any one time is very powerful and personal to them. Clearly you can't even begin to touch that. A novel is a singular vision, and then a myriad of readers have their own experience of that.
Nice writing isn't enough. It isn't enough to have smooth and pretty language. You have to surprise the reader frequently, you can't just be nice all the time. Provoke the reader. Astonish the reader. Writing that has no surprises is as bland as oatmeal. Surprise the reader with the unexpected verb or adjective. Use one startling adjective per page.
Another reason I think the novel will survive is that the reader has to work in a novel. In a film, you are presented with someone else's imagination exactly bodied out. The marvelous thing about a novel is that every reader will imagine even the very simplest sentence slightly differently.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
I am no indiscriminate novel reader. The mere trash of the common circulating library I hold in the highest contempt.
"Unputdownable" is, I suppose, something we all dream of, maybe without knowing it. I realized, some time ago, that a novel can hold a lot, and it made sense that this one was not of the sleek and economical variety, but instead the "full" type. Novel as piñata. And the reader does the whacking. I had a central idea, which is to look at what happens to talent over time.
Identify the moral dilemma driving the novel. the successful novel will haunt a reader because it deals with some ethical or moral dilemma that makes the reader wonder what he or she would do in the protagonist's place.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
Something happens between a novel and its reader which is similar to the process of developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom, became visible bit by bit. As you read your way through a novel, the same chemical process takes place.
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