A Quote by Dani Shapiro
I’ve discovered that my best work comes from the uncomfortable but fruitful feeling of not having a clue – of being worried, secretly afraid, even convinced that I’m on the wrong track.
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I'm not afraid of new things. I'm just afraid of feeling alone even when there's somebody else there. I'm afraid of feeling bad. Maybe that's selfish, but it's the way I feel.
By tuning in to your minute-to-minute stream of consciousness, you discover the addictions that make you worried, anxious, resentful, uptight, afraid, angry, bored, etc. You thus use every uncomfortable emotion as an opportunity for consciousness growth. Even though you may still be feeling emotional and uptight, you begin to get at the roots of your ups and downs - your brief bits of pleasure and your long periods of unhappiness.
When something is discovered by people in movie theaters, it's discovered by people who are all together, and there's a sort of feeling of an event about it. And when it's on video, it's like something is being discovered in the library or something. It's like having a second life in public libraries. It's just like individuals, and it's less of a... We can't participate in it the same way.
I discovered that people are not really afraid of dying; they're afraid of not ever having lived, not ever having deeply considered their life's higher purpose, and not ever having stepped into that purpose and at least tried to make a difference in this world.
I've always been paranoid about the police, because even when I'm not doing anything illegal, I'm thinking about doing something illegal. So, whenever I'm around a cop, I get uncomfortable and nervous, worried that I'll say the wrong thing or look so guilty they'll arrest me anyway. Being completely out of my mind on drugs doesn't help the situation any.
Selfishness, narcissism, being uncomfortable in your own skin, not feeling connected to the world around you, feeling dislocated from family and youth, having a strange relationship with your childhood - all those things feel really true to me.
In next five to 10 years I probably would have done my best work, but I was afraid of having another 10 or 15 years ahead of me and feeling stale, so this was an opportunity to reinvigorate myself.
You increase your self-respect when you feel you've done everything you ought to have done, and if there is nothing else to enjoy, there remains that chief of pleasures, the feeling of being pleased with oneself. A man gets an immense amount of satisfaction from the knowledge of having done good work and of having made the best use of his day, and when I am in this state I find that I thoroughly enjoy my rest and even the mildest forms of recreation.
I know that sometimes when you are really worried about something, it ends up not being nearly as bad as you think it will be, and you get to be relieved that you were just being silly, worrying so much over nothing. But sometimes it is just the opposite. It can happen that whatever you are worried about will be even worse than you could have possibly imagined, and you find that you were right to be worried, and even that, maybe, you weren't worried enough.
I like being on a set where you can make decisions and everything is involved and are happy to work together to make the best work. For me, it's all about making the best work and creative people working together and all being respected and all having their opinions of what gives it the best quality is important.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.
This is my philosophy on all life, not just when it comes to love. All the best things are terrifying, but that's why they're the best things. Nothing worth having comes easy. You have to be afraid to want it, afraid to lose it, afraid to try. If you feel that, then you know you're on to a winner.
Combinatorics is an honest subject. No adèles, no sigma-algebras. You count balls in a box, and you either have the right number or you haven't. You get the feeling that the result you have discovered is forever, because it's concrete. Other branches of mathematics are not so clear-cut. Functional analysis of infinite-dimensional spaces is never fully convincing; you don't get a feeling of having done an honest day's work. Don't get the wrong idea - combinatorics is not just putting balls into boxes. Counting finite sets can be a highbrow undertaking, with sophisticated techniques.
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
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