A Quote by Dani Shapiro
There's nothing confessional about crafting and shaping a story out of a lived life. In fact, it's quite the opposite - the writer has to be able to transcend the life, to see it as if standing outside of it, in order to be able to make something of it. There's something enormously satisfying and gratifying about crafting something, taking all that chaos and giving it shape.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
What I love about [TV] is this: It's a specific thing to be able to tell a satisfying, rewarding story in less than 25 minutes. Not everyone can pull that off. There's something really cool about giving lit people a bunch of little mini movies.
The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
I'm not perfect, I'm not brilliant at everything, I just try my best and I enjoy crafting. If I have something old or broken and I can use it for something else, I get a real joy out of it.
I love to be able to do something positive with what celebrity I have. I like to be able to make it about something bigger than me; if I can help in some way, I'm happy to do that.
When people say it's a funny thing about them, you will probably be able to control your hysterics. They are only getting ready to announce the shattering fact that they don't like something. And it's not going to be something that's really quite awful, like suttee or apartheid; it's going to be something small.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
I think the greatest privilege you have as an artist is time to nurture what you want to make; that's super luxurious. For you to rush into something, that doesn't feel fun to me. I'm living life in order to be able to write about it.
Well, you know, I kind of lived my whole life with people, on a Navy ship, and I'm son of an immigrant. And we've all - really appreciate being able to make something clear in a simple way that families quite understand.
People need to understand that what happens in people's homes and behind closed doors, unless you were there, you really shouldn't make any analogy or any assumption, which writers do quite a bit. It's not something I ever for one second thought about. This is not my life story, and I've never told my life story, and I have no interest in telling my life story.
Nothing can rival the incredible rush the act of creation brings. Of crafting something you know is destined to be great for all time.
We're not able to do anything about the bomb, but we can do something about the results. We're able to heal the people - not all of them. Some people died. But we're able to heal people, so we're doing something positive. And that's a great motivator.
Work is a way of bringing order to chaos, and there's a basic satisfaction in seeing that we are able to make something a little more coherent by the end of the day.
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