A Quote by Danica McKellar

I went to about one frat party a year. A year seemed to be enough time for me to forget how much I didn't like frat parties, and my friends would eventually convince me to go to one. Cheap beer, guys looking for a quick hook-up, and girls playing 'dumb' to get in on the hook-up. I just never got into it.
Honey, I've watched a lot of 90210. The parents weren't even on the show once Brandon and Brenda went to college. This is your time - you're supposed to going to frat parties and getting back together with Dylan." "Why does everybody want me to go to frat parties?" "Who wants you to go to frat parties? I was just kidding. Don't hang out with frat guys, Cath, they're terrible. All they do is get drunk and watch 90210.
It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff. The girls liked it. One day, he was like, 'Come to my crib. I got a studio. Come and record a hook for me.' I recorded the hook on the 'Lovers & Friends' beat - Usher.
Especially when I first came up here to New York, everybody wanted to hook me up with this guy who's Prince's sound engineer. Almost everybody wanted me to hook up with him and go to L.A. and do all that just because that's the route Prince took. And for a while I was listening to all of that. "Yeah, if it's good enough for Prince, it should be good enough for me." But I mean, that's not the case, really. Prince is a different person than I am. You just got to find the right person for you, whoever you click with.
I went to UGA for a quarter. One quarter of my extended university life. I enjoyed it. UGA was a blast. I crashed all the frat parties, dressing like a frat boy, acting like I was one of them. I had too much fun. So I had a good time for the quarter that I was a Bulldog. Go Bulldogs!
All my friends were in college when I was making 'Superbad.' We were drinking beer and watching movies and eating pizza. It wasn't like I was going to nice restaurants or anything like that, and I lived like a frat guy. Eventually it was time to grow up, be healthy and be responsible. You can't live like a kid forever, you know?
Yo! Cam!” Beer Guy jumped off the porch and jogged down the sidewalk, passing me a quick look. “What you up to, man?” Saved by the frat boy. Cam’s gaze didn’t veer from me, but his grin started to slip. “Nothing, Kevin, just trying to have a conversation.
I go to goth clubs dressed as a frat guy so I can stand around and look terribly uncomfortable. At frat parties I do the same thing, but the other way around.
So, it just seemed like it happened naturally. We nailed our live show to some extent in a year or about a year and a half, maybe just a year of playing songs pretty much around L.A. then we went and scheduled a mini-tour up-state on the West Coast and that's when the whole Rough Trade [Records] thing started happening and from there, things just happened so quick. It changed really quickly.
I like to go to the frat house and drink with my white friends, because anytime you go drinking at the frat house, white boys bring you a drink and hand it to you like it's a top CIA secret. They'll hand me my drink, and I'll go, 'Man, what the hell is in this?' 'Dude, don't worry. Don't ask, just drink it. I'll see you in 20 minutes.' Next thing you know, I'm buck naked, standing on a coffee table, with a cowboy hat.
Part of my personality is I like to have a good time and I'm an extrovert, and extroverts, they blossom as meathead frat boys and extroverts get labeled as meathead frat boys. For me, it's just part of my personality.
Well, I've never been in a touring rock band, it was all just high school and college, playing toga parties in frat houses.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
My first go at drinking did not go so well. I ended up getting sick in front of everybody. You know that Ginuwine song 'Pony'? It was playing at the party while I was getting sick. My entire senior year, everyone sang that around me. For a year. I would like that erased from my memory.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
It's hard being a woman in this industry, period. A lot of the time, guys make you feel like you need to hook up with them - especially as an artist - producers and other artists trying to collaborate with them, they make you kinda feel sometimes you need to hook up with them or flirt with them just to make a song.
It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me. So when one of us had some success - in this case, my pal Fred Dekker - he would reach down the ladder and help me up a rung, give my work to his agent to pass around to see if anyone liked it.
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