A Quote by Daniel Alarcon

I have a love/hate relationship with the internet. It's obviously the central tool of how I work, and how I keep in touch with all the writers and then producers that I'm collaborating with. Skype saves my life, you know.
Hate no one, no matter how much they've wronged you. Live humbly, no matter how wealthy you become. Think positively, no matter how hard life is. Give much, even if you've been given little. Keep in touch with the ones who have forgotten you, and forgive who has wronged you, and do not stop praying for the best for those you love.
I think every human being knows how to hate. Because if they didn't know how to hate how to hate they wouldn't know how to love.
We humans have a love-hate relationship with our technology. We love each new advance and we hate how fast our world is changing... The robots really embody that love-hate relationship we have with technology.
If you know how to read, you have a complete education about life, then you know how to vote within a democracy. But if you don't know how to read, you don't know how to decide. That's the great thing about our country - we're a democracy of readers, and we should keep it that way.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
I wonder how one can hate to love and love to hate the same person over a period of time in a relationship
I have a love-hate relationship with losing. I hate how it makes me feel, which is basically sick. But I love what it brings out.
Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.
I don't care how someone lives or how good their spoken English is. I do all of my interviews on Skype text chat - all that matters is their work.
I'm in love. And I like how that feels. And I hate how that feels. Because love is an invention of fiction writers.
The writers and producers always have an idea, then they cast the role and the instrument starts to tell them how to play the music.
In comics, collaboration saves your life. How well you can work with an artist, a colorist, a letterer, is how good your comic is.
Education is the knowledge of how to use the whole of oneself. Many men use but one or two faculties out of the score with which they are endowed. A man is educated who knows how to make a tool of every faculty, how to open it, how to keep it sharp, and how to apply it to all practical purposes.
I live part-time in a cabin in Colorado up in the mountains and part-time on a ranch in central Texas - but do I really know how to go brand a cow, or do I really know how to go rappelling down a cliff? No. I do the recreational, half-assed version of all these manly activities and then try to keep that kind of Zen masculinity, like, "I'm a man of nature."
Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'
Oh, I'm going to miss everything. It's been the most amazing and significant job of my life obviously and I'll always have it near and dear to my heart. I'm so grateful and appreciative that I worked with the best crew and the best writers and producers and cast and I love them all.
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