A Quote by Daniel Alarcon
There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
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We think, fundamentally, that the future story of Latin America, not only of Mexico but for all of Latin America, will be constructed from the bottom - that the rest of what's happening, in any case, are steps.
If it is an element of liberation for Latin America, I believe that it should have demonstrated that. Until now, I have not been aware of any such demonstration. The IMF performs an entirely different function: precisely that of ensuring that capital based outside of Latin America controls all of Latin America.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
I took Latin and Spanish. I can speak a very small amount of Spanish, but Latin has sort of gone away! Unless I was joining the Catholic Church, there would be no need to learn Latin.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
Latin America seemed to be a land where there were only dictators, revolutionaries, catastrophes. Now we know that Latin America can produce also artists, musicians, painters, thinkers, and novelists.
I want to bring Americans into some experiences they ordinarily would not consider. Experiences in Latin America, people in Latin America, I want to bring them closer to those people, and I know I have to work extra hard at my craft to reach across these increasing chasms, these gaps that exist between different kinds of Americans, and that's the work of the artist, is to create these works that sort of help us understand our time.
I wrote the text of the resignation. I cannot say with precision when, but at the most two weeks before. I wrote it in Latin because something so important you do in Latin. Furthermore, Latin is a language in which I know well how to write in a more appropriate way.
The funny thing is I'm not even Latin. I was constantly getting Latin roles, and I was like, I even was nominated for an award, and I was like, 'Let them know at the NAACP, the first white woman. Let them know I'm totally grateful, but I'm not Latin. I can't do that. I play Latin.'
Just as it is important in Latin America to discuss ideas that come from North America, I think it is interesting for North Americans to discuss ideas that come from Latin America or Africa and do not insert themselves into capitalist interests.
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language. So we're talking about the Bible itself being a translation of a translation of a translation. And, in reality, it has affected people's lives in history.
Immigration reform doesn't impact me personally; nothing my foundation works on does. But the truth is I have a long history of ties to Latin America. Some of my best friends are in Latin America.
What we've undergone in recent decades worldwide has been totally insane, and all of this is a result of capitalism. The workforce in Latin America was treated as a vulgar instrument for capital accumulation. Mechanisms of exploitation were imposed, such as outsourcing, labor mediation, and the like.The results are plain to see: greater inequality in Latin America; unemployment is higher than in previous decades; we haven't resolved the problem of poverty; we've lost a great deal of sovereignty.
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