A Quote by Daniel Alarcon

For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work. — © Daniel Alarcon
For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
For fiction, Im not particularly nationalistic. Im not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
I do love my country. I don't think I'm particularly a good American. I don't know what makes a good American. Other than somebody who - I like people who let other people alone. I think that's a pretty good American. And I keep my hands to myself. So I'm an OK American.
One of my biggest inspirations is President Hugo Chavez of Venezuela. Yea, President Hugo.
I barely need to reiterate what you already know: the close links that exist between our people and the people of Venezuela and Hugo Chavez, the promoter of the Bolivarian Revolution and the United Socialist Party he founded.
We know next to nothing about the relationship between Chavez and Raul Castro. One thing, though, is certain. The Cuban military and political elite do not regard Chavez as a logical successor to Fidel Castro in Latin America.
I want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.
I like to read fiction, and I particularly enjoy reading young adult fiction. But I also read children's books, adult books, current authors, and classics, but I like fiction the most.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
I don't want to send my money to a bunch of Hugo Chavez-loving, Ivy League ideologically educated, politically opportunistic careerist in Washington, D.C.
He [Hugo Chavez] put poverty at the heart of political debate. Rightly so, given the country's immense inequality and poverty. He invested heavily in social programs such as literacy, health clinics, and education. He promoted Venezuela's indigenous culture and urged compatriots to take pride in its pre-Columbian history. He called time on the US treating Latin America as its backyard.
I read fiction all the time. It's true that I don't like fantasy or science fiction. I like "realistic" novels, particularly those in which nothing much ever happens.
Fiction has subversive potential. People let it into their minds, like the Trojan Horse. They don't know what's inside. You hook them with the story, and God can work below the level of their consciousness. Fiction can be propaganda for evil or convey a theme that impacts people for good.
When I was very young I was reading a lot of Latin American fiction, which later would be called "boom fiction."
It was Venezuelan strongman Hugo Chavez who benefited most from the World Social Forum's enthusiasms.
Can you imagine what Bush would say if someone like Hugo Chavez asked him for a little piece of land to install a military base, and he only wanted to plant a Venezuelan flag there?
I want to bring Americans into some experiences they ordinarily would not consider. Experiences in Latin America, people in Latin America, I want to bring them closer to those people, and I know I have to work extra hard at my craft to reach across these increasing chasms, these gaps that exist between different kinds of Americans, and that's the work of the artist, is to create these works that sort of help us understand our time.
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