A Quote by Daniel Alarcon

I love to walk through the streets of Jesus Maria and Pueblo Libre. The Spanish colonial buildings are in bright colors, two stories high, with these intricate wooden, windowed balconies.
I'm very interested in buildings that adapt to changes in climatic conditions according to the seasons, buildings capable of responding to our physical and psychological needs in the way that clothing does. We don't turn on the air-conditioning as we walk through the streets in high summer. Instead, we change the character of the clothing by which we are protected. Layering and changeability: this is the key.
It's been an unbelievable thing for me to walk Bruin Walk and walk past Coach Wooden's statue, a guy that when I was in elementary school, it's Coach Wooden winning his final championship, his 10th in 12 years.
I can walk all day in malls, shopping centres, high streets - I love it.
When you walk through the storm, hold your head high And don't be afraid of the dark! At the end of the storm is a golden sky And the sweet song of the lark. Walk on through the wind Walk on through the rain Though your dreams be tossed & blown Walk on, walk on, with hope in your heart And you'll never walk alone!
I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.
There is a bright spot or two for the Spaniards. French toast has become freedom toast on the Air Force One breakfast menu, but the Spanish omelet is still a Spanish omelet.
When you sing in English and Spanish, it's two completely different forms of expression and... even the people who don't speak Spanish love to hear me sing in Spanish.
Curiosity ran unchecked through him, like the wind outside through the deserted streets, along the canal, around the little wooden houses, everywhere, as far as the mountain.
I kinda started watching wrestling through Lucha Libre because my grandmother was always watching Lucha Libre.
It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.
Too many bright colors make for congestion. Too many bright colors need, above all, contrast in value, to eliminate vibration.
Every day, I walk the streets with my head held high, but deep down inside, sometimes I'm like, 'I just hope I can get through the day.'
When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.
I'm a New Yorker. I like the big streets and the big buildings. It's a great place to walk.
I took Spanish in high school and I didn't do too well in it. My Spanish teacher told me not to go on with Spanish anymore, so I was discouraged a little bit.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
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