A Quote by Daniel Alarcon

I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru. — © Daniel Alarcon
I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru.
I am very much about promoting Lima because I think Peru and the mountains and the Incas, everybody is aware of those, but Lima is something that people should discover - especially our food.
I was in Peru and visited a building near Lima built by the Incas. It was low in height, with no windows at all, but all the way in the back there was air movement. And I couldn't figure out how they'd done it; it was incredible.
At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
I wish I could go back and re-write my first novel for the first time. Because I really didn't know what I was doing, and although it was published, it is, after all this time, kind of an embarrassment.
I can never see fashion models, lean angular cheeks, strutting hips and blooming hair, without thinking of the skulls at the catacombs in Lima, Peru.
I have the deepest regret about 9/11. Sept. 11, 2001, was one of the most difficult days I've ever had. I was in Lima, Peru, and had to fly back eight hours not knowing what happened in my own country, knowing thousands of my fellow citizens had died.
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
It had been fourteen years and I hadn't had anything published. I had 250 rejection slips. I got my first novel published and it was called Kinflicks. It turned out to be a best seller.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
In Peru, there is no theatre that produces an annual opera season, and though there is one orchestra in Lima, it's always struggling to survive. We shouldn't have just one orchestra, we should have 15, we should have 50! And you should start to build this from the children.
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
Just keep writing, and try to finish that novel. Remember, all authors started exactly where you are right now; the only difference between a published author and a non-published one is that the published author never stopped writing.
In 1980, I published my first novel, in the usual swirl of unjustified hope and justified anxiety.
I began as a poet, moved to short fiction, then to novel writing, and, for the past twelve years, back to stories. I sometimes wonder if the pendulum will swing all the way back to where I began. As T.S. Eliot says, "In my end is my beginning," but for now I'm staying put, sitting tight, and loving the short story form way too much to leave it quite yet.
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