A Quote by Daniel Barenboim

Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
Wagner festival was [Adolf Hitler] time with the Wagner family. [Eva Braun] asked once to attend but he forbade it and that was that, she never asked again.
When you think about a composer you know like Wagner or Pier Boulez or something like that most of the issues a composer is working with are about discreet, notated music that someone else will play.
I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.
Wagner is a composer who has beautiful moments but awful quarter hours.
Wagner's philosophy had absolutely nothing to do with Bruckner. Bruckner hadn't written a single word against Jews. Wagner's book on the Jews was one of the most infamous books of the 19th century.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
They see me all the time at Bayreuth and think I only like Wagner's music, and it's not true.
I cannot work and listen to Wagner at the same time, nor Mahler, nor Beethoven's late quartets. I enjoy listening to Chopin's piano music when I work.
The way to get a ball past (Honus) Wagner is to hit it eight feet over his head.
Wagner is the Puccini of music.
I name (Honus) Wagner first on my list, not only because he was a great batting champion and base-runner, and also baseball's foremost shortstop, but because Honus (Wagner) could have been first at any other position, with the possible exception of pitcher. In all my career, I never saw such a versatile player.
The great composer does not set to work because he is inspired, but becomes inspired because he is working. Beethoven, Wagner, Bach and Mozart settled down day after day to the job in hand with as much regularity as an accountant settles down each day to his figures. They didn't waste time waiting for inspiration.
Wagner always opens you a second breath, and then you go on, and you are absolutely into his musical world, and you can't stop, and you can listen for four hours, five hours, six hours, and then you are like in his mystical hands of his music. He's such a great poet of music.
I like Wagner's music better than anybody's. It is so loud that one can talk the whole time without other people hearing what one says.
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