A Quote by Daniel Barenboim

The tempo is the suitcase. If the suitcase is too small, everything is completely wrinkled. If the tempo is too fast, everything becomes so scrambled you can't understand it.
It's a little like packing for a trip. First you lay out everything that might possibly be useful, with no thought about the size of your suitcase. Then, look at your suitcase. In the case of narrative, there's a certain obligation to keep the pace up and have each section or subsection be doing something.
Up-tempo or slow tempo, I don't feel that one is better than the other.
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
The worst gift that I ever gave a girl was a suitcase for Christmas. As in, 'I can't think of anything to give you, but here's a new suitcase.' Afterward, I was like, 'What were you thinking, idiot?'
There is nothing like walking to get the feel of a country. A fine landscape is like a piece of music; it must be taken at the right tempo. Even a bicycle goes too fast
If I'm going away for longer than a week I take a suitcase and check it in but I'm good at packing light and quick - years of modelling, travelling and living out of a suitcase has trained me well.
Everything that I own and use are in a carry-on suitcase.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
Everything important that I have done can be put into a little suitcase.
In England everything is liberalised. Within certain boundaries and rules everybody can do what he likes. Maybe London's society has a different tempo, a different dynamic. London is fast, productive, creative but it is not England. If you want to transfer that to football, you could say: in the four big English clubs and maybe in the one or two behind them there is a top level. Everything that comes after that rather mirrors English society. It's honest, fair and hard, sometimes also fast, but not always so perfect.
We couldn't afford anything. Suitcase, clothes, everything, Barellan people bought for me.
The Nike joint 'Classic' with Kanye, Nas, KRS-One, that was a remix - Rick Rubin did the original, and his was a double-time tempo; mine was a regular boom-bap tempo, and they liked it so much that we ended up doing the video to it.
The golf swing is like a suitcase into which we are trying to pack one too many things.
When I'm filming, I live out of a suitcase, so everything is thrown everywhere. In real life, I'm a bit tidier.
When I'm filming I live out of a suitcase, so everything is thrown everywhere. In real life, I'm a bit tidier.
You're going to pee in someone's suitcase?" "Do you have any other ideas?" And suddenly Miracolina begins to snicker, then giggle, then giggle, then cackle uncontrollably. "He's going to pee in someone's suitcase!" "Quiet! Do you want people on the bus to hear you?" But Miracolina is beyond help. She's entered into a fullfledged laughter fit-the kind that leaves your stomach hurting. "They're gonna open their suitcase," she blurts between bursts of glee, "And their clothes’ll be full of pee!
This site uses cookies to ensure you get the best experience. More info...
Got it!