A Quote by Daniel Barenboim

Wagner is contrapuntal in a philosophical way as well as a musical way. What I mean by that is that every tendency has its opposite, and you see that in the man himself. He's a metaphysical hermaphrodite - he embraces hard and soft, masculine and feminine.
I think every individual, and every society, is perfected just in proportion to the combination, and cooperation, of masculine and feminine elements of character. He is the most perfect man who is affectionate as well as intellectual; and she is the most perfect woman who is intellectual as well as affectionate. Every art and science becomes more interesting, viewed both from the masculine and feminine points of view.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
It's still feminine, but not in a romantic way. It's all about masculine and feminine, and being strong.
I think it's hard when you're a woman because the music industry is way more masculine than feminine, so you have to make your own space and fight for it.
I have a soft side that I like people to see. I'm not mean. That's just football. That's just the way you've got to go. You can't go into a game that is that violent and be soft. You can't be that way.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
Masculine republics give way to feminine democracies, and feminine democracies give way to tyranny.
The masculine DOES while the feminine IS. Major in the feminine, but minor in the masculine.
The thing about Wagner is we're always wrong about him, because he always embraces opposites. There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can't represent both views on stage at once.
I don't believe that you have to dress in a masculine way to seem powerful. I think that the way a woman dresses doesn't have to be so aggressive. Being feminine is a powerful feature in itself. Power is in a person's demeanor.
When someone tells a man to be a man, they mean that there is a way to be a man. A man is not just a thing to be-it is also a way to be, a path to follow and a way to walk. Some try to make manhood mean everything. Others believe that it means nothing at all. Being good at being a man can't mean everything, and it has always meant something.
The mainspring of creativity appears to be the same tendency which we discover so deeply as the curative force in psychotherapy, man's tendency to actualize himself, to become his potentialities. By this I mean the organic and human life, the urge to expand, extend, develop, mature - the tendency to express and activate all the capacities of the organism, or the self.
A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires.
It has been our experience that women usually prefer thin, undernourished, flatchested females, dressed to the teeth, as a concept of "feminine beauty" -- and that men prefer exactly the opposite: voluptuous, well-rounded and undressed. The women's idealization of woman is actually a male counterpart, competing with man in society; man's view of women is far more truly feminine.
The woman's mission is not to enhance the masculine spirit, but to express the feminine; hers is not to preserve a man-made world, but to create a human world by the infusion of the feminine element into all of its activities.
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