A Quote by Daniel Bell

But in action, one defies one's character. — © Daniel Bell
But in action, one defies one's character.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake.
People often believe that character causes action, but when it comes to producing moral children, we need to remember that action also shapes character.
Anytime that someone defies the status quo and defies oppression, it feels like a step in the right direction.
The centre of the tragedy, therefore, may be said with equal truth to lie in action issuing from character, or in character issuing in action.
Political tyranny is nothing compared to the social tyranny and a reformer who defies society is a more courageous man than a politician who defies Government.
Joe and I always say that our guide through action is always story and character. We're always driving right at the character beats, or else the action beat doesn't work.
The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
I love action films. I'd love to do an action drama. I'm always looking to give my character something action-oriented to do.
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
It's always great to play a character that goes against the grain. Finn defies what people think when they think of stormtroopers.
America is the student who defies the odds to become the first in a family to go to college - the citizen who defies the cynics and goes out there and votes - the young person who comes out of the shadows to demand the right to dream. That's what America is about.
I always say I'm just eternally grateful for this role because Raven Reyes defies all stereotypes. It's revolutionary for a character on television, and it's also extremely creatively liberating as an artist.
The essential thing is action. Action has three stages: the decision born of thought, the order or preparation for execution, and the execution itself. All three stages are governed by the will. The will is rooted in character, and for the man of action character is of more critical importance than intellect. Intellect without will is worthless, will without intellect is dangerous.
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