A Quote by Daniel Berrigan

Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them. — © Daniel Berrigan
Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
Well, I’ve been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.
A big blockbuster like 'Kick' expands the audience for my films and makes it easier to promote them.
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
You see people in Hollywood trying to make blockbuster after blockbuster, but it's not possible. There's some god up there saying, 'You will fail now.' But I suppose that's true of us all.
I think I'm well on the way of overcoming a very big hurdle that's been in my way for several years. Which is trying to find a way to not let the insecurity of my profession get the better of me and make me crazy. I'm trying to find a way to maintain my own personal balance in the midst of everything.
From making documentaries all these years, it doesn't feel right to lead someone. In narratives, I'm always trying to shoot as though it's really happening, and I trust my actors are going to make decisions that I'm going to be following. I want to follow them.
I have been offered a lot of films with many big actors, but I have unfortunately declined them.
Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
For me, the distinction between documentaries and feature films is not so clear - my "documentaries" were largely scripted, rehearsed, and repeated, and have a lot of fantasy and concoction in them.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
I don't think there's so much difference between making documentaries and feature films. I think it's even harder to make documentaries.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
I have sung songs for several actors in movies, including Salman Khan and Shah Rukh Khan. Unfortunately, even after singing songs for their movies like 'Bajrangi Bhaijaan' and 'Raees,' the two actors have not lip-synced them on screen.
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