A Quote by Daniel Bryan

Goat face is a horrible insult. My face is practically perfect in every way. In fact, from now on I demand to be called Beautiful Bryan. — © Daniel Bryan
Goat face is a horrible insult. My face is practically perfect in every way. In fact, from now on I demand to be called Beautiful Bryan.
He called you pretty...That's practically an insult, the way you look right now...You're much more than beautiful.
The strange, unbeautiful face beautiful in its ugliness; the perfect, beautiful face ugly in its perfection.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
Let's face it. How often do you see an Asian face in films and television? They are practically invisible. Now and then, you will get one, and, interestingly, he gets the role of a scientist. Isn't that interesting?
What a handsome face he had: but if he were naked you would forget he had a face, he is so beautiful in every way.
I don't make an effort to be sloppy. I just don't consider a perfect hairdo and a perfect face to be beautiful. If I had my way I'd dress myself and do my own makeup for magazine shoots.
Beautiful face. Beautiful body. Horrible attitude. It was the holy trinity of hot boys.
Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.
...I feel as though I made a face and the wind changed, and now I have to go through life grimacing in this horrible way.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
It all stems from the same thing - which is that when we are face to face - and this is what I think is so ironic about Facebook being called Facebook, because we are not face to face on Facebook ... when we are face to face, we are inhibited by the presence of the other. We are inhibited from aggression by the presence of another face, another person. We're aware that we're with a human being. On the Internet, we are disinhibited from taking into full account that we are in the presence of another human being.
The secret to happiness is to face the fact that the world is horrible.
I could really appreciate him now - could properly see every beautiful line of his perfect face, of his long, flawless body with my strong new eyes, every angle and every plane of him. I could taste his pure, vivid scent on my tongue and feel the unbelievable silkiness of his marble skin under my sensitive fingertips.
Because makeup happens in my life as an actor, face wash is a key. I use La Mer cleansing gel every morning, every night, sometimes three times a day. Also, I use Bobbi Brown's Hydrating Face Tonic that you put on after you wash your face. It just rejuvenates your face. It takes away that morning face.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
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