A Quote by Daniel Burrus
I think all of us are looking at the future with yesterday's eyes.
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The Eyes of the Future are looking back at us and they are praying for us to see beyond our own time.
Yesterday is not a milestone that has been passed, but a daystone on the beaten track of the years, and irremediably part of us, within us, heavy and dangerous. We are not merely more weary because of yesterday, we are other, no longer what we were before the calamity of yesterday.
Listen up. Rant would tell people: ‘You’re a different human being to everybody you meet.’ Sometimes Rant said, ‘You only ever is in the eyes of other folks.’ If you were going to carve a quote on his grave, his favorite saying was: ‘The future you have tomorrow won’t be the same future you had yesterday.
The Past is dead, and has no resurrection; but the Future is endowed with such a life, that it lives to us even in anticipation. The Past is, in many things, the foe of mankind; the Future is, in all things, our friend. In the Past is no hope; The Future is both hope and fruition. The Past is the text-book of tyrants; the Future is the Bible of the Free. Those who are solely governed by the Past stand like Lot's wife, crystallized in the act of looking backward, and forever incapable of looking before.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
'Neon Future' is, in short, a positive outlook on human progress and technology, looking forward to a bright, colorful utopia. It's embracing the future and looking toward the future in a more optimistic way.
There are times in the lives of most of us, when we would have given all the world to be as we were but yesterday, though that yesterday had passed over us unappreciated and unenjoyed.
When the eyes of the soul looking out meet the eyes of God looking in, heaven has begun right here on earth.
The truth is that you already are what you are seeking. You are looking for God with his eyes. I suggest you ask, "What's ultimately behind this set of eyes?" Turn around to see what is looking.
Had I known but yesterday what I know today, I’d have taken out your two grey eyes and put in eyes of clay. And had I known but yesterday you’d be no more my own, I’d have taken out your heart of flesh and put in one of stone.
There is no escape from yesterday because yesterday has deformed us, or been deformed by us. The mood is of no importance. Deformation has taken place.
Looking to the material world for the satisfaction of our inner needs is the source of much fear. All fear is, in essence, fear of the future. We are afraid of things that have not yet happened, but which if they did might bring us pain, suffering, or some other discomfort - or stand in the way of some future contentment. And we are afraid that circumstances that are already causing us displeasure may continue in the future.
Writing is a voice that calls us from dreams, that peeks out of the corner of our eyes when we think no one is looking, the longing that breaks our hearts even when we think we should be happiest, and to which we cannot give a name.
You've got all these characters and yet, you're hovering over one character like a fly over a stinky diaper. Realize that you've got a kickass superpower: you can possess and take-over anybody inside the story. With the power of Point-of-View, you can drag us along for the ride. You can shove us into their eyes, their minds, you can force us to piggyback on their experiences past and present. Sometimes untangling a knotted-up tale means looking at it from different eyes: what better eyes than those of the other characters inside the story?
Let us not be bitter about the past, but let us keep our eyes firmly on the future.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
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