A Quote by Daniel Caesar
I ended up having to leave home to make the music I wanted to make, and to find myself. As cliche as that sounds; I like to think I'm getting closer.
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I like to just make flex music. So when I do make emotional music, it's hard for me, because I feel like I'm cliche. But I guess cliche is the best thing sometimes, because it's real.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
I feel like I'm getting closer and closer to myself with time, not only in terms of my career choices, but the choices I make within one role or performance. I used to compose characters that were farther from me, but I find now that I like to craft a subtle composition, a subtle change in your essence.
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
It sounds a little cliché, but I wanted to capture some of the feelings or sounds that I heard when I listened to music that actually took me places.
What I ended up learning was that I had to do what I do well, and do it really well and say, 'Maybe there is no pop music that sounds like this now, but I can make it so maybe tomorrow what I like can be what everybody likes.'
When I fell into modeling, because I wanted to work in fashion. I wanted to do styling or make-up. I ended getting picked up to be a model instead during my work experience.
I had made a vow to never stay in my home state to play, I wanted to go as far East Coast as possible, more or less to get away from my family life. I ended up staying in my home state and fell in love with it. I ended up having a beautiful relationship with my family over time and it was the best decision I've ever made.
This sounds like a cliche, but I always wanted to write. After college, I did some writing and realized very quickly that it's hard to make a living as a writer. At that point, I was more interested in fiction writing.
I rented a summer home in the winter on Long Island, I took long walks, and then I ended up moving to Woodstock. It was a fertile musical area and time, and I played with a lot of different musicians there, including getting into women's music, and I ended up playing with Cris Williamson.
I like to make big decisions when I am at home living a routine life, getting up, walking my dog, having breakfast, when I have no pressure. I do not like doing it when I making a film. It is too stressful.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
I just really want to make - to be cliche about it, I want to make pretty music. Like Roy Orbison or Elvis, man. Those guys made beautiful, tender music.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
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