A Quote by Daniel Caesar

Pseudo' was about, how after moving to Toronto I saw a lot of inauthenticity. A lot of fake people that aren't about having real moments. Real conversations. — © Daniel Caesar
Pseudo' was about, how after moving to Toronto I saw a lot of inauthenticity. A lot of fake people that aren't about having real moments. Real conversations.
I think country music is popular - has been popular and will always be popular because I think a lot of real people singing about a lot of real stuff about real people. And it's simple enough for people to understand it. And we kind of roll with the punches.
The leaks are real. You're the one that wrote about them and reported them, I mean the leaks are real. You know what they said, you saw it and the leaks are absolutely real. The news is fake because so much of the news is fake.
I've been talking a lot about how music chooses you because you can pinpoint when you had the epiphany that, 'Wow, I really want to do this.' But there's no real rhyme or reason about choosing to be in this industry. It's one of those things where there is no real guarantee; there is no real rulebook to follow.
What any candidate should do in any race, frankly, is to show up. There's no special, secret sauce there. It's about having real conversations with real people, and when you do that you stay tethered to the things that matter. And that's what people want.
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.
It happened on 'Laguna Beach' where you don't know what's real and fake, and I saw cast members who couldn't distinguish what was real and what was fake anymore. It was kind of scary to see, so I kept them very separate so that I didn't go crazy.
It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
That's why people read books. You get to have the real conversation, as opposed to the pseudo-conversations we have in everyday life.
Fake people talk about other people being fake. Real people worry about their business, and no one else's.
Real artists find answers. The knowledge of the artisan is within the confines of his skills. For example, I know a lot about lenses, about the editing room. I know what the different buttons on the camera are for. I know more or less how to use a microphone. I know all that, but that's not real knowledge. Real knowledge is knowing how to live, why we live, things like that.
A lot of people question how talented I am. But I'm a real dude and I know real things and I've seen real people get their head blown off.
Real people had real agendas, real demands, real expectations about how other people should behave.
I grew up in the entertainment industry, and I think being around that gave me a different perspective on people and what's real and what's fake. I think about that a lot, and it comes out in my songs.
You hear a lot of songs that are about people cheating or about infidelity. I haven't really heard one before about connecting with the noble part of yourself. I know it sounds a little bit cheesy, but that's the real deal. There are a lot of people who are making a genuinely good, sweet decision on a daily basis.
I interviewed a lot of people in India, and I asked my mother to send me a lot of Bengali books on the tradition of dream interpretation. It's a real way for me to remember how people think about things in my culture.
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