A Quote by Daniel Clowes
I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Related Quotes
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
You hear a lot of people, they turn 40 and it really bugs them and they get depressed or whatever. I don't know - I just don't feel that way. I feel 19 years old all the time. I mean, it's not a lie. I could easily say, God, I feel 70. Or maybe I seem like I'm 70 or 200 or something to other people, I don't know. My brain feels 19 all the time. And that's a good spot.
It is very important to be aware that you may never be satistied with your analytic career if you feel that you are restricted to what is narrowly called a ‘scientific’ approach. You will have to be able to have a chance of feeling that the interpretation you give is a beautiful one, or that you get a beautiful response from the patient. This aesthetic element of beauty makes a very difficult situation tolerable.
I don't like a lot of feathers and frills. I like a clean aesthetic, a Calvin Klein aesthetic.
That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.
I do feel like the blogs that I follow share an aesthetic and draw a lot from '90s influences.
I was on Stealing Beauty in 1996 and then I started feeling acting was something I wanted to do forever. It made me feel like I'll still be looking for parts when I'm 70 years old.
In 'Cape Fear,' all that water and the reflections and these threatening and submerged images in the water - that signals the awfulness that is to come. We're very good at awfulness. No, really, we do do some sweet titles, too.
My process as an actor is all about energy, just feeling the person in your body. I can feel their rhythm, I can feel how they speak, and I know what their response will be to everything.
My personal feeling about reboots is - I'm very against it. I feel bad for the pop culture of this generation because I feel like they're getting a lot of retread... a lot of digested and vomited stuff from our teens and 20s and all of that.
I went to regular schools and I was home schooled a lot but I don't have any history in schools. Like, I literally don't exist. I didn't even get a birth certificate until the mid-80s. I always feel like I could be, like, 10 years younger, or maybe I'm 70!
How can you be afraid to feel? Isn't fear a feeling? If you're feeling fear, you've felt one of the most negative emotions there is to feel. Everything else should be a piece of cake. Feel good, feel happy, feel healthy, feel loved, feel abundant, feel creative, feel compassionate, feel knowledgeable, feel powerful.
Everyone's different, but I think the snug feel is definitely popular on tour. A lot of guys like to feel like they are held tightly in their shoe. That feeling helps you move around the court quicker.
Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.
It's the very awfulness of [murder] that makes reading about it feel so cozy.
I'm the oldest 26-year-old I know. A lot of experience has been crammed into a short amount of time. Some days I feel a good 65, 70. Like I want to lie down.
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