A Quote by Daniel Clowes

It's a challenge to express real life in dramatic terms. In an entirely "made-up" story, you are sometimes overwhelmed by the infinite possibilities. — © Daniel Clowes
It's a challenge to express real life in dramatic terms. In an entirely "made-up" story, you are sometimes overwhelmed by the infinite possibilities.
Coming to terms with the rhythms of women's lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.
When you become comfortable with uncertainty, infinite possibilities open up in your life.
The world is not entirely comic and it's not entirely dramatic. You have a laugh and then someone finds a lump and you deal with that. Because that is what life is like.
The Law of Attraction allows for infinite possibilities, infinite abundance & infinite joy. It knows no order of difficulty.
So many of my songs are based on things that either happened to me or to someone I know, but there are also ones where I've written a made-up story. All of them are about very real emotions, and I just find different ways to express them.
Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.
And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero. That's the city
I know not how to express better, what my sins appear to me to be, than by heaping infinite upon infinite, and multiplying infinite by infinite . . . When I look into my heart and take a view of my wickedness, it looks like an abyss infinitely deeper than hell.
I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.
It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.
Allah made the illusion look real and the real an illusion. He concealed the sea and made the foam visible, the wind invisible, and the dust manifest. you see the dust whirling, but how can the dust rise by itself? you see the foam, but not the ocean. invoke Him with deeds, not words; for deeds are real and will save you in the infinite-life.
People in life take on certain stories and say, 'I'm going to be defined by this story and I'm going to live up to every inch of this story.' Sometimes you realize the story isn't fulfilling you and in fact you're not living the life that you're given.
It's a real challenge to complete a story arc and end up with a cool punchline in 120 characters.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.
I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.
Orwell says somewhere that no one ever writes the real story of their life. The real story of a life is the story of its humiliations.
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