A Quote by Daniel Clowes

I'm always hiding the books in my closet, and my art's always turned upside down in my drawer. — © Daniel Clowes
I'm always hiding the books in my closet, and my art's always turned upside down in my drawer.
While no inference is intended here, it is worth noting, in connection with Milton Friedman's comment that "Kelso just turned Marx upside down," that it is not necessarily amiss to turn a fellow upside down if that in fact straightens out his thinking.
I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
I think what we need to do is to step back as a society and say okay, we've kind of turned things upside-down. We have moved away from the nuclear family, in which the man always works and the woman stays home. How are we going to rearrange things now? We've done the first part of the revolution, we've turned everything on its head, but we haven't figured out what structures will actually work in this new world.
I have always been open about the way I live my life, because hiding skeletons in the closet and presenting a picture-perfect image is not my style.
Within evangelicalism is a distressing drift toward accepting a Christianity that does not demand a life-changing walk with God. Many evangelicals (today) do not realize that the church has always been an island of righteousness in a sea of paganism, but as a result they turned the world upside-down.
The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.
Whatever people may say about my books - and it always amazes me when people don't like them, but sometimes they don't - the epigraphs have always been top-drawer. I think having that at the outset protects me from a lot of potential problems.
There are always forces at work in a society, certainly in America, which are really forces of censorship -either religious bodies or zealots who are always putting pressure on things, whether it's books or art or film. And all art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
No, I didn't work it out upside down, I never turned it around.
Live Aid turned our world upside down.
Anyone can lose their home and find their life is turned upside down.
My whole life turned upside down once I became a mother.
Everything seems to have been turned upside-down, but in a good way.
I guess I've always lived upside down when I want things I can't have.
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