A Quote by Daniel Clowes
I think that's what we're all most terrified about: that we'll just die and disappear and we'll leave no trace.
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Flaubert called himself a human pen; I would say that I am a human ear. When I walk down the street and catch words, phrases, and exclamations, I always think - how many novels disappear without a trace! Disappear into darkness.
No matter how well you think you've hidden, you'll always leave behind a trace. And the more you try to hide that trace, the more obvious and troublesome it will become.
I just think there are a lot of celebrities who don't feel that they have a voice. A lot of actors come from a place of fear, and that's just a general statement about actors. You're terrified the casting director won't like you, you're terrified the producer won't like you, you're terrified the director won't like you, and on and on.
The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality; it is fundamental. I leave here a bit of paper, I leave, I die; it is impossible to exit this structure; it is the unchanging form of my life. Every time I let something go, I live my death in writing.
This deep insecurity has been going on for a while. I mean I picked it up in 2014 sitting in focus groups of women who were feeling terrified, not just about that ISIS was coming, but terrified that their children couldn't be safe at school, terrified about what was happening in Ferguson and other places.
Death is, in some ways, unacceptable. It's just an astonishing fact of our being here that we die; but I think worse than that is if we live long enough, we lose everyone we love in this world. I mean people die and disappear, and we're left with this stark mystery: just the sheer not knowing of what happened to them.
If you leave a good trace behind you, that trace will continue its walk even if you stop!
Most of the moments of our life - and I calculated, you know, the psychological present is said to be about three seconds long; that means that, you know, in a life there are about 600 million of them; in a month, there are about 600,000 - most of them don't leave a trace.
On a soft snow, even a sparrow leaves a trace; the important thing is to leave a trace on a steel plate!
If we live, we live; if we die, we die; if we suffer, we suffer; if we are terrified, we are terrified. There is no problem about it.
We are not going to die." Butters stared up at me, pale, his eyes terrified. "We're not?" No. And do you know why?" He shook his head. "Because Thomas is too pretty to die. And because I'm too stubborn to die." I hauled on the shirt even harder. "And most of all because tomorrow is Oktoberfest, Butters, and polka will never die.
Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.
I'm terrified I'm about to die, or that all the people I love are about to die, every second of every day.
The trick to being a good actor is getting so involved in your character that the camera disappears, the 50 bored guys eating doughnuts disappear, friends disappear. To get to that point when you don't have to think about it, you're just acting and reacting in those circumstances.
I believe the earth gets warmer, and I also believe the earth gets cooler, and I think history points out that it does that and that the idea that man through the production of CO2 which is a trace gas in the atmosphere and the manmade part of that trace gas is itself a trace gas is somehow responsible for climate change is, I think, just patently absurd when you consider all of the other factors.
It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.
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