A Quote by Daniel Craig

Shakespeare has way too many lines. My ideal theatre piece is about 40 minutes long with no interval. — © Daniel Craig
Shakespeare has way too many lines. My ideal theatre piece is about 40 minutes long with no interval.
There are certain things about my game I don't want to change, but I think it's about time that I realized I can't fight every battle. Three hundred minutes in penalties is way too many. Way too many.
I've never really had a desire to do Shakespeare. For me, it's just too many lines.
In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it.
I really take pride in doing my own make-up all the time, which takes me about 40 minutes, and my hair takes another 15 to 20 minutes. Putting on my gear is probably another 15 minutes, so all in all, I don't think an hour and a half is too bad!
So you think the best way to prepare kids for the real world is to bus them to a government institution where they're forced to spend all day isolated with children of their own age and adults who are paid to be with them, placed in classes that are too big to allow more than a few minutes of personal interaction with the teacher-then spend probably an hour or more everyday waiting in lunch lines, car lines, bathroom lines, recess lines, classroom lines, and are forced to progress at the speed of the slowest child in class?
My first interaction with William Shakespeare was an American production and there was an actress, playing Puck, who sounded like Mickey Mouse. When she said, I'll put a girdle around the earth in 40 minutes," I was amazed - the idea of Puck traveling around the Earth in 40 minutes was amazing to me. My dad, who was a scientist, I remember him telling me that Sputnik circled the globe in an hour in a half. And I thought, "Wow, Puck is twice as fast as Sputnik."
The last great unknown, in terms of physiological training, is the optimum length of a piece. Is three minutes enough? Is ten minutes too much? No one knows. Perhaps someday the question will be answered-we'll find out that thirteen minutes is the perfect length for a training piece when preparing for a 2000 meter race. Until then, coaches will continue exploring the whole scale, up and down, from thirty seconds to sixty minutes and more, in hopes of capturing the optimum time.
I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
In my final year at Bristol University, I wrote a play called 'White Feathers.' It was produced in the studio theatre at the students' union in early 1999, when I was 21. It's 100 pages long: a very traditional play, with an interval, about deserters in the First World War.
Im always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
If a piece of music is under three minutes long, it's rock. Over three minutes, it's classical.
Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
Here I am thirty-four years old, and yet my life is almost wholly unexpanded. How much time is in the germ! There is such an interval between my ideal and the actual in many circumstances that I may say I am unborn.
If you are an atheist as I am, Shakespeare can be your ideal. Everything is within Shakespeare, especially in his 10 greatest plays. They have life, meaning, understanding, the whole lot.
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