A Quote by Daniel Dae Kim
My dad even likes to give me career advice. I'll let him know about some offers about films and TV shows that I get, and he'll ask me questions like, 'What's the money like?' and 'Who got this for you - was it your agent or manager, and what are they getting out of this?'
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People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
I get asked to give stuff to my dad. I'm, like, 'I'm not gonna pass your script to him!' You know? My dad's my dad. I'm not his agent.
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
There was this conflict within me because so many people would come up to me to ask for prayers for all sorts of things, and 50% would be about money like, 'How can I pay for the tuition fee of my kids?' And I could only pray for them. I had no advice to give them because I didn't know anything about money.
The greatest thing I could say about my son, and this is what you always worry about with your kids, that they kinda outgrow their Mom and Dad. But for him, when I see him, when he calls me Dad, and he can still hug me, he's still like my little boy. Even around his friends, he still calls me Dad.
I get a lot of advice from my dad about how I should be as a human being, but as an actor, I think he'll give me advice once I'm doing a film for him.
Sometimes people will approach me on the street and ask me very personal questions about my dating life. Fans talk to me like they know me, and it's like, 'You don't know me. You know my character, but you really don't know me.'
I took a break from TV for about three-four years. During that time, I had to let go of some of the best shows that were offered to me, as I wanted to focus on films. It was believed that if you are seen too much on TV, you won't get films.
I got the feeling Poseidon really didn't know what to think of me. He didn't know whether he was happy to have me as a son or not. In a strange way, I was glad that Poseidon was so distant. If he'd tried to apologize, or told me he love me, or even smiled. it would've felt fake. Like human dad, making some lame excuse for not being around. I could live with that. After all, I wasn't sure about him yet, either.
I'll carry a ball around with me all day and ask people to try to knock it out of my hand when I least expect it. I'll give them some money and stuff, so people get pretty geeked up about that. It just helps me to take care of the ball without even thinking about it.
People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'
To a certain extent, I can say I owe my career to Dara Singh because after doing films with him, I started getting good offers. I have very high regards for him. As a person, he was very protective about me and used to take care of me on the sets. He was very soft-spoken and a fine gentleman. He was disciplined and punctual.
And before you barrel through some idiotic Cosmo girl list of how-well-do-you-know-your-man questions, let me say that I don't know squat about him except that he kisses like a god and screws like a devil.
I remember once, we got an interview, and he said, 'Dad, these people are writing about me like I'm an adult. Don't they know I'm a kid?' I have never tried to encourage him to get a music image like other musicians have.
If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!"
It's always interesting to me when one platform of media crosses into another. We've been on the Terry Gross show Fresh Air a couple of times, and I suddenly felt like we could actually represent ourselves as exactly who we are, in this sort of ultra-vivid way. But the weird thing to me is that the questions she asks are in some ways no different than the questions the guy from the high-school paper asks. She might even ask us where we got our name. But something about it, it's like the pH balance of the trajectory of the questions. Maybe it's just her voice.
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