A Quote by Daniel Day-Lewis
I don't torture myself. And I do the work because of the pleasure involved. I'm satisfying a compulsion I find nigh-on irresistible. It's not necessarily because of the work itself. I just feel the need for a period of regeneration afterwards. Like leaving a field fallow when you've grazed too much on it. I feel depleted.
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More often than not when we do not like our work, it's not necessarily because of the work itself. But more often because of the people we work with and more importantly because of the lack of leadership. It is amazing how inspired and motivated we can be when we like the people and when we feel like we show up to work because our leaders care about our wellbeing. It is kind of incredible actually.
If I just wear something because I feel like myself and I'm comfortable, that's okay - and that goes even for more edgy things. But if I try too much, or if I even try, it doesn't work. It doesn't feel natural, and I feel very uncomfortable.
I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
It used to happen, and still happens, to me to take no pleasure in a work of art at the first sight of it, because it is too much for me; but if I suspect any merit in it, I try to get at it; and then I never fail to make the most gratifying discoveries--to find new qualities in the work itself and new faculties in myself.
I keep meeting directors that are so irresistible. I only do irresistible films, because I don't need to act to feel myself alive.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I do try to stay involved in training and keep that routine as much as I can. I just feel I need to do it for myself, not because the manager demands it, but because you get to a stage where you have to manage yourself - what suits you; what doesn't.
I think you can overthink dealing with fame. To an extent, you've got to put yourself out there, but I feel like your work should really speak for itself, and I don't feel the need to go and make everyone like me because, to be honest, I'm not looking to be friends with the world. I'd much rather people watch the things that I'm in.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
I really don't feel it's necessary, as an actor, to make people feel uncomfortable, just because you need to be in a certain headspace. So, I do take myself away and do my own work and hunker down.
I think one of the reasons I've done so much period work is because I feel so depressed by how society chooses to represent women in contemporary work.
I work too much to be an appropriate parent. I feel like a bad mom to my dog some days because I'm just not here enough. I just feel like I would do a bad job if I took the time to literally give birth to a kid right now and try and juggle everything I'm doing.
There are some movies that you feel like doing because of the script. Some because it sounds like fun, some because that's the director you want to work with, some because it's a project that you want to be involved with, and some because you will be paid lots of money. But the bottom line is I must feel like doing it.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
I certainly can't complain. I work six days a week, if not seven, and eighteen hours out of twenty-four - fortunately, with a great deal of pleasure. Why? Because I only do something if I want to do it; I need to feel a desire, to find pleasure in moving forward, creating, moving, inventing.
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