A Quote by Daniel Day-Lewis
I had a very vivid, almost hallucinatory moment in which I was engaged in a dialogue with my father...
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I had a very vivid, almost hallucinatory moment in which I was engaged in a dialogue with my father.
The beauty of Maine is such that you can't really see it clearly while you live there. But now that I've moved away, with each return it all becomes almost hallucinatory: the dark blue water, the rocky coast with occasional flashes of white sand, the jasper stone beaches along the coast, the pine and fir forests somehow vivid in their stillness.
You have to be very specific with the suggestions of how you want to show things, not just with dialogue but also place and mood. I write all of that as very vivid guidelines so directors can come in and do what they will with them.
My father ain't in Europe; my father's in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father's in Schenectady.
The hour through which you are at present passing, the man whom you meet here and now, the task on which you are engaged at this very moment - these are always the most important in your whole life.
When it came down to it, he just wasn't that engaged. You had to be engaged to be a vegetarian; you had to be engaged to sing "Both Sides Now" with your eyes closed; when it came down to it, you had to be engaged to be a mother.
The so-called resistance is very broad and we don't agree on everything, but there's a moment of opportunity when people are paying attention. It's time for us to really get serious about political education and about our own moral education in this moment, and to seize this opportunity to organize and be in deep dialogue with a whole lot of people who never even thought about being politically engaged or active before. There's real hope there and real opportunity.
The soul which has come into intimate contact with God in the silence of the prayer chamber is never out of conscious touch with the Father; the heart is always going out to Him in loving communion, and the moment the mind is released from the task upon which it is engaged, it returns as naturally to God as the bird does to its nest.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
I have very vivid dreams - almost always action-adventure. I'm often on the run. I've always had dreams. When I was little, I'd go to sleep with my head on my hands, which were in fists like I was looking through a camera. I felt like sleep was the movies - just drifting off to the movies.
In that most burdensome moment of all human history, with blood appearing at every pore and an anguished cry upon His lips, Christ sought Him whom He had always sought—His Father. “Abba,” He cried, “Papa,” or from the lips of a younger child, “Daddy.” This is such a personal moment it almost seems a sacrilege to cite it. A Son in unrelieved pain, a Father His only true source of strength, both of them staying the course, making it through the night—together.
My family was very engaged in the world around us. My father was an African Methodist Episcopal minister and an immigrant from Panama. He was deeply involved in civil rights causes, which scared my mother - she was also an immigrant, from Barbados, who had her hands full with six kids, and she worried that my father would get deported. But because of his passion for politics and civil rights, we paid close attention to current events. We would watch political conventions together - for fun!
I'm writing as I'm reading. I'm constantly already engaged in dialogue with the critics. None of these are my ideas solely. They are my form of entering into a dialogue with ideas that are already out there, and calibrating how much sense these make to me or not. I want to be responsible to the work that has already been done.
In those days I had various strong inclinations, for wine, gambling and cockfighting, and the society of gypsies, together with a passion for theological discussion which I had inherited from my father himself-all of which my father thought I had better rid myself of before I married.
Though beauty is, with the most apt similitude, I had almost said with the most literal truth, called a flower that fades and dies almost in the very moment of its maturity; yet there is, methinks, a kind of beauty which lives even to old age; a beauty that is not in the features, but, if I may be allowed the expression, shines through them. As it is not merely corporeal it is not the object of mere sense, nor is it to be discovered but by persons of true taste and refined sentiment.
My father writings stuff was always his personal stuff, like about the day we had to put our dog down, or finding old photographs of his father, or passing a guy he went to boarding school with on a street in New York. Very specific, detailed, descriptive columns that he wrote. I think in a way, it could be argued that my best songs are that way too. They're almost journalistic in that they're very clear, and very specific, and they describe things.
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