A Quote by Daniel Day-Lewis
I spend many months in apparently listless rumination out of which I hope something will emerge.
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To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it.
I have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud; not the soldier's which is ambitious; nor the lawyer's, which is politic; nor the lady's, which is nice; nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, which, by often rumination, wraps me in a most humorous sadness.
Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
But it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, which, by often rumination, wraps me in the most humorous sadness.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it. How you see it in your head is never how you see it on the screen, so it's almost like an out of body experience.
The real challenge in this line of work is being able to weed the productive ones from the chaff, to decide which you're going to spend the next six to nine months turning into something that people will pay for.
Let's say something like Olympics is happening, I will definitely watch because that is something which is live after so many months. I think sports will definitely get people to watch.
I'm trying to conduct only five months a year, and the rest will be composing time. I'm trying to spend as much as I can out of those months here in L.A., because for creative work, this is a fantastic place.
You spend so many months and years in the studio, and you see the clock ticking and so much time spent on the minutiae of technical things. And I just thought it'd be fun to do something extremely fast and get that rush of something that had some energy, something that you weren't tired of when you finished it.
It is my earnest hope, and indeed the hope of all mankind, that from this solemn occasion a better world shall emerge out of the blood and carnage of the past...
Hope? Hope is not the absence of tragedy, my friend. It is the conviction that tragedy can be endured. Hope is the spark in you that is not subdued in the face of the vast and callous indifference of the universe. Hope is that which is not shattered by hardship. Hope is the urge to fight what is wrong even when you know it will destroy you. Hope is the decision to love and need someone knowing that they will one day die. For me to promise that there are no obstacles would be the cruelest lie I could possibly tell. That lie is not hope. Hope is the will which needs no lies.
We spend our lives, all of us, waiting for the great day, the great battle, or the deed of power. But that external consummation is not given to many: nor is it necessary. So long as our being is tensed, directed with passion, towards that which is the spirit of all things, then that spirit will emerge from our own hidden, nameless effort.
If you're going to spend seven months of your life - for me seven months, for Roland Emmerich, 3, 4, 5 years of his life - doing something, I think you have to have something to say.
...we're going to be in an economic slowdown for a couple of years. So to take three months, four months, six months to spend this money the right way-we're not going to get a chance to spend a trillion dollars again! Ever. So let's do it the right way.
My hope that the Church will emerge as a strong leader in society is just that a hope. What I described in The Catholic Moment is not a prophecy but the outline of a possibility. There are no guarantees that my hopes expressed in The Catholic Moment will ever be realised.
Life is better than death. But death comes eventually to everyone. It is something which many in their prime may prefer not to think about. But at 89, I see no point in avoiding the question. What concerns me is: How do I go? Will the end comes swiftly, with a stroke in one of the coronary arteries? Or will it be a stroke in the mind that lays me out in bed for months, semi-comatose? Of the two, I prefer the quick one.
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