A Quote by Daniel Day-Lewis

How people are around a director, it really does affect everything, every detail of the life of the movie. — © Daniel Day-Lewis
How people are around a director, it really does affect everything, every detail of the life of the movie.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
They used to ask: "How will this decision that we make today affect our people in the future?" Now we make decisions based on: "How does it affect me, now? How does it affect the next shareholders meeting, three months ahead? How does it affect my next political campaign?"
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.
Everything that happens in the life of a human being, especially artists, who are supposed to be more sensitive, yes, it can affect you. In Lebanon I saw 10- and 12-year-old kids walking around with guns, and I understood how much human actions affect people.
I think people really don't understand what a producer does versus what a director does. I mean, the producer is often the person that is on the movie the longest - it's their material that they are then bringing the director onto to bring it to the screen. Are we overlooked? Absolutely.
As a director, we work ridiculously hard on every detail, and we do everything to the billionth degree, and mostly people notice nothing.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
It is naive to believe that a steady diet of blatant immorality, played out nightly in our living rooms, has no effect on people. I am always curious when individuals insist that what they watch on television or in movie theaters doesn't affect them. ... Are we really to believe that hours, leading to years, of television viewing will not affect attitudes about everything from family life to appropriate sexual relations?
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.
My musical director, Mark Cherry, is the most wonderful person who ever lived on God's good green Earth. He's my director, he does the arrangements. Really, he does everything - including certain janitorial chores!
A record like 'Price of Fame' - when you do get this success, how do you treat it, or how do you let it treat you? How does it affect your family and friends and the people around you? ... And I don't mind telling people what I've been through when it comes to the pressure I put on myself of wanting to be the best and the greatest.
I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.
I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
When you're a pro athlete, life is very narcissistic - everything relates back to you and how you play. When you are getting out of pro sports, you suddenly have to get a little more mindful of what's going on around you and how you affect the rest of the world.
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